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Kristina M. Jacobsen

Ph.D., Duke University
Assistant Professor of Ethnomusicology
Hokona/Zuni Hall Room 307
Curriculum Vitae

Dr. Jacobsen is on research leave fall semester 2016.

Kristina Jacobsen holds a PhD in Cultural Anthropology from Duke University, the MPhil in Ethnomusicology from Columbia University, a Master’s in Ethnomusicology from Arizona State University, and a Bachelor’s degree in Music (flute performance) and History (concentration: Native North America).

jacobsen-coverBased on 2 ½ years of singing and playing with Navajo county western bands, her book, The Sound of Navajo Country: Music, Language and Diné Belonging (forthcoming March 13th, 2017, University of North Carolina Press), examines cultural intimacy and generational nostalgia on the Navajo (Diné) Nation (click here for brief interviews in English and Italian about her research). This book is the first in a series, Critical Indigeneities, edited by J. Kēhaulani Kauanui and Jean M. O’Brien and focusing on contemporary indigenous experience and critical theory. Her research interests include: music and language, anthropology of the voice, politics of authenticity, indigeneity and belonging, music of Native North America, Sardinia and the Appalachian mountains, race and musical genre, music as cultural performance, indigenous language revitalization and U.S. working class expressive cultures. Together with Kerry F. Thompson (Diné), she has a forthcoming article on the recent Navajo Nation presidential election and language fluency debate, titled “The Right to Lead: Language, Iconicity Diné Presidential Politics. Recent articles include “Radmilla’s Voice: Music Genre, Blood Quantum and Belonging on the Navajo Nation” (Cultural Anthropology, 2014) and “Rita(hhh): Placemaking and Country Music on the Navajo Nation” (Ethnomusicology, 2009).

Kristina has taught courses in linguistic anthropology, Native American Studies, ethnomusicology and cultural anthropology at Duke University, Diné College and Northern Arizona University. Kristina is a performing singer, songwriter, lapsteel player and country artist (she fronts the all-girl honky tonk band, Merlettes). Her recent solo album, Three Roses, was nominated for three New Mexico Music awards and is a collaboration between songwriters and musicians in Denmark, the United Kingdom and the U.S. To learn more about her research, teaching and music, visit:


Courses Taught:

Anthropology of Music and Sound

Country Music and Cultural Politics

Honky Tonk Ensemble

Global Indigenous Media

Navajo Expressive Culture

Proseminar in Anthropology of Music (Master in Musicology Students, only)

Songwriting 1

Music in Culture

Classic and Romantic Music: An Ethnographic Approach to Historical Performance Practice

Introduction to Cultural Anthropology

Introduction to Linguistic Anthropology

Anthropology of Native North America

Culture and Politics in Native America

photo by Kent Corley photography

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