Stories from the HeART of Music in New Mexico

KUNM - Ear To The Ground is broadcast on Saturdays 7:00 PM - 8:00 PM. Hosted by Matthew Finch. Is a local music showcase, featuring live performances by local talent. The UNM Honky Tonk Ensemble was featured in December. Listen here. Class co-facilitators: Dr....

Dr. Maxine Thévenot, Instructor of Organ, here at the UNM Department of Music, was one of 14 women organists selected to participate in the Jeanne Demessieux Centennial Tribute. To commemorate the virtuoso French organist, Jeanne Demissieux. Dr. Thévenot was selected...

Ana Alonso-Minutti, associate professor of Music and faculty affiliate of the Latin American and Iberian Institute at The University of New Mexico, was recently awarded the biennial 2021 Robert M. Stevenson Prize from The Society for Ethnomusicology for her...

THE JOHN DONALD ROBB COMPOSERS’ SYMPOSIUM 2021 “HOUSE MUSIC”STREAMING FESTIVAL OF NEW MUSIC May 1 – May 45 – 8:30 PM Since 1972, the internationally renowned symposium has brought composers and musicians from around the world to UNM for a series of public concerts and...

Dr. Karl Hinterbichler receives the Ken Hanlon Award from International Trombone Association The Kenneth Hanlon Award recognizes an individual that contributes greatly to the InternationalTrombone Association (ITA) and the trombone world with a spirit of generosity...

Dr. Kristina Jacobsen wins award for an article The article ‘Don’t Even Talk to Me if You’re Kinya’áanii [Towering House]’: Adopted Clans, Kinship, and ‘Blood’ in Navajo Country” was awarded “the most thought-provoking article in Native American and Indigenous Studies...

Music, Emotion and Fish with Dr. David Bashwiner Part 2 We are back, with Part 2 of ‘Music, Emotion, and Fish’. If you haven’t had the chance to listen to Part 1, you can click back to Episode 15, Dr. David Bashwiner was just getting to his work on the Midshipman...

Composer and pianist José Luis Hurtado, an associate professor in The University of New Mexico’s Department of Music in the College of Fine Arts, is one of the 2020 winners of the prestigious Guggenheim Fellowship.

This lecture/performance explores how black women have used music as a method of shaping the public rhetoric and sentiment surrounding the black civil rights struggle in America. Through a historical framework that moves through the height of the abolitionist movement, the Popular front during the 1930s and 1940s, the frontlines of the direct action campaigns of the 1960s, and the proliferation of the Black Power movement in the 1970s.