Matthew Koester, a third year music performance major studying with Dr. Eric Lau attended the American Saxophone Academy at the Eastman School of Music this summer. This event is one of the most highly regarded options for summer study of classical saxophone.
At the ASA five saxophone professors from around the Untied States gather at The Eastman School of Music in Rochester, NY. The faculty for this highly competitive program consist of Chien-Kwan Lin from the Eastman School of Music, Carrie Koffman from The Hartt School, Tim McAllister from The University of Michigan, Kenneth Tse from The University of Iowa, and Otis Murphy from Indiana University. Students enrolled in the ASA program participate in individual lessons, group lessons, quartet coachings, and large ensemble rehearsals with each of the esteemed faculty. The opportunity to meet and interact with this many teachers of this quality is unparalleled anywhere in the United States.
Matt was also fortunate enough to connect with his peers from other institution across the US. This opportunity will undoubtedly yield life long colleagues and friends. After the experience Matt said, “I was extremely impressed with the professionalism and organized manner in which The Eastman School of Music conducted its summer program. With a vast offering of courses that extend well beyond saxophone, I would highly recommend the Eastman summer sessions to any serious musician looking to increase their skills and broaden their current perspective.”
[eventon_slider slider_type='carousel' lan='L1' orderby='ASC' date_out='5' date_in='4 date_range='future' id='slider_3' open_type='originalL' style='b' ef='all']
Alonso-Minutti receives prize for ‘Voces del desierto’ composition
Ana Alonso-Minutti, associate professor of Music and faculty affiliate of the Latin American and Iberian Institute at The University of New Mexico, was recently awarded the biennial 2021 Robert M. Stevenson Prize from The Society for Ethnomusicology for her...
‘I’m Possible’ autobiography featuring UNM music professor Dr. Richard White now on sale
A Story of Survival, a Tuba, and the Small Miracle of a Big Dream By Jayla Acosta From the streets of Baltimore, Maryland to the campus of The University of New Mexico in Albuquerque, Associate Professor, Dr. Richard White (R.A.W. Tuba) continues to make headlines....
THE JOHN DONALD ROBB COMPOSERS’ SYMPOSIUM 2021 “HOUSE MUSIC”
THE JOHN DONALD ROBB COMPOSERS’ SYMPOSIUM 2021 “HOUSE MUSIC”STREAMING FESTIVAL OF NEW MUSIC May 1 – May 45 – 8:30 PM Since 1972, the internationally renowned symposium has brought composers and musicians from around the world to UNM for a series of public concerts and...
Dr. Karl Hinterbichler receives the Ken Hanlon Award from International Trombone Association
Dr. Karl Hinterbichler receives the Ken Hanlon Award from International Trombone Association The Kenneth Hanlon Award recognizes an individual that contributes greatly to the InternationalTrombone Association (ITA) and the trombone world with a spirit of generosity...
Dr. Kristina Jacobsen wins award for an article
Dr. Kristina Jacobsen wins award for an article The article ‘Don’t Even Talk to Me if You’re Kinya’áanii [Towering House]’: Adopted Clans, Kinship, and ‘Blood’ in Navajo Country” was awarded “the most thought-provoking article in Native American and Indigenous Studies...
Music, Emotion and Fish with Dr. David Bashwiner Part 2
Music, Emotion and Fish with Dr. David Bashwiner Part 2 We are back, with Part 2 of ‘Music, Emotion, and Fish’. If you haven’t had the chance to listen to Part 1, you can click back to Episode 15, Dr. David Bashwiner was just getting to his work on the Midshipman...
Dr. José Luis Hurtado awarded prestigious Guggenheim Fellowship
Composer and pianist José Luis Hurtado, an associate professor in The University of New Mexico’s Department of Music in the College of Fine Arts, is one of the 2020 winners of the prestigious Guggenheim Fellowship.
You Can’t Tell It Like I Can: Black Women, Music, and the Struggle for Social Justice in America
This lecture/performance explores how black women have used music as a method of shaping the public rhetoric and sentiment surrounding the black civil rights struggle in America. Through a historical framework that moves through the height of the abolitionist movement, the Popular front during the 1930s and 1940s, the frontlines of the direct action campaigns of the 1960s, and the proliferation of the Black Power movement in the 1970s.
An Americanish Songbook: Linda Ronstadt’s “other” Country
This talk will consider performances and recordings by singer Linda Ronstadt to propose what I refer to as her Americanish musical songbook. The suffix “ish” here intends to accentuate the “somewhat” or “to some extent” of “American” that Ronstadt—Tucson born and raised—lived and sonically imagined through her extraordinary musical career.
Arab Musicking on the U.S.–Mexico Border
This talk explores the relationship between trauma and identity by examining Arab music performance on the U.S.–Mexico border. Drawing on the musicking of Syrian and Mexican migrant communities, I interrogate theories of cultural and psychological trauma and borderland epistemologies to explore how border tensions influence the often-fraught views of identity.