THE GAY WEST: FROM DRUG STORE COWBOYS TO RODEO QUEENS
Talk Description: The masculine ideal represented by the American cowboy is variously interpreted by spectators, dancers, musicians, and contestants at gay rodeos and country western dances across the U.S. Examining embodied gender practices within these communities, this talk articulates the sonic, social, and geographical spaces of the gay American West.
Biography: Kate Alexander received her Ph.D. in ethnomusicology from the University of California, Riverside in 2014. Her research focuses on intersections of whiteness, gender, and sexuality in North American music and dance communities, including Cape Breton’s traditional Scottish culture, and her current research on American LGBTQ country western dance and rodeo networks. Her work has been published in journals such as MUSICulturesand the Yearbook for Traditional Music. She is an Assistant Professor in the Honors College at the University of Arizona, where she teaches interdisciplinary courses on sound, music, visual art, and culture.
Free Drumset Clinic hosted by John Riley
John has a Bachelor of Music degree in jazz education from the University of North Texas and a Master of Music in jazz studies from Manhattan School of Music. He is on the faculty of Manhattan School of Music, and SUNY Purchase, and is an Artist in Residence at Amsterdam Conservatory, Holland.
Musicology Colloquium Series: The Black Pacific: Music, Race, and Indigeneity in Australia and Papua New Guinea
From the Fisk Jubilee Singers’ tour of Australasia in the 1890s to Snoop Dogg’s visit to Brisbane in 2014, the last century has seen ongoing, intensive intersections between Indigenous and African Diasporic musicians and activists in the Southwestern Pacific.
Amjad Ali Khan, Sarod Virtuso and Composer Joins the UNM Faculty
Amjad Ali Khan is one of the undisputed masters of the music world. For many, he takes on a celestial avatar when he is playing the Sarod. Born to Sarod icon Haafiz Ali Khan, he gave his first performance at the age of six. Over the course of his career, he has delivered his music in a flexible instrument line that is vocal in its expressiveness.