THE GAY WEST: FROM DRUG STORE COWBOYS TO RODEO QUEENS
Talk Description: The masculine ideal represented by the American cowboy is variously interpreted by spectators, dancers, musicians, and contestants at gay rodeos and country western dances across the U.S. Examining embodied gender practices within these communities, this talk articulates the sonic, social, and geographical spaces of the gay American West.
Biography: Kate Alexander received her Ph.D. in ethnomusicology from the University of California, Riverside in 2014. Her research focuses on intersections of whiteness, gender, and sexuality in North American music and dance communities, including Cape Breton’s traditional Scottish culture, and her current research on American LGBTQ country western dance and rodeo networks. Her work has been published in journals such as MUSICulturesand the Yearbook for Traditional Music. She is an Assistant Professor in the Honors College at the University of Arizona, where she teaches interdisciplinary courses on sound, music, visual art, and culture.
Music, Emotion and Fish with Dr. David Bashwiner Part 2
Music, Emotion and Fish with Dr. David Bashwiner Part 2 We are back, with Part 2 of ‘Music, Emotion, and Fish’. If you haven’t had the chance to listen to Part 1, you can click back to Episode 15, Dr. David Bashwiner was just getting to his work on the Midshipman...
Dr. José Luis Hurtado awarded prestigious Guggenheim Fellowship
Composer and pianist José Luis Hurtado, an associate professor in The University of New Mexico’s Department of Music in the College of Fine Arts, is one of the 2020 winners of the prestigious Guggenheim Fellowship.
You Can’t Tell It Like I Can: Black Women, Music, and the Struggle for Social Justice in America
This lecture/performance explores how black women have used music as a method of shaping the public rhetoric and sentiment surrounding the black civil rights struggle in America. Through a historical framework that moves through the height of the abolitionist movement, the Popular front during the 1930s and 1940s, the frontlines of the direct action campaigns of the 1960s, and the proliferation of the Black Power movement in the 1970s.