The American Prize in Vocal Performance—Friedrich and Virginia Schorr Memorial Award honors the memory of the greatest Wagnerian baritone of his age, Friedrich Schorr, who commanded the operatic stage between the world wars, and his wife, Virginia Schorr, who taught studio voice at the Manhattan School of Music and the Hartt School of Music for nearly fifty years. The Prize recognizes and rewards the best performances by classically trained vocalists in America, based on submitted recordings.
The American Prize in Vocal Performance—women in opera (professional division), 2022, The Friedrich and Virginia Schorr Memorial Awards
The American Prize Winner: Olga Perez Flora, University of New Mexico, Albuquerque, NM
Opera roles include performances with Opera Company Middlebury/A Streetcar Named Desire (Eunice), Opera Columbus/Madama Butterfly (Suzuki), Arizona Opera/Die Zauberflöte (Third Lady), Opera in the Heights/Don Giovanni (Zerlina), and more.
Internationally known as a recitalist, Dr. Flora has performed several recitals with companies across the United States, Cuba, and Italy. She has most recently created a Cuban Song Recital named Canciones de mi Isla: Songs from my Island.

Dr. Kristina Jacobsen, Assistant Professor of Ethnomusicology, releases book
The Sound of Navajo Country: Music, Language and Diné Belonging (University of North Carolina Press), examines cultural intimacy and generational nostalgia on the Navajo (Diné) Nation (click here for brief interviews in English and Italian about her research).
Spain the ‘Eternal Maja’: Goya, Majismo, and the Reinvention of Spanish National Identity in Granados’s Goyescas.
This talk will explore the influence of artist Francisco Goya (1746-1828) on one of the greatest masterpieces of Spanish music, the Goyescas suite for solo piano by Enrique Granados (1867-1916).
‘Sol y Sombra’: Music in Images in the Arts of New Spain presented by Ray Hernández-Durán
Scenes depicting musicians performing are found in a range of colonial art forms. Here, I briefly explore religious music from the 16th century through an examination of mission design and manuscript illuminations, and secular or profane music from the 18th century represented in genre paintings, domestic spaces, and biombos.