Santiago Vaquera-Vásquez

Date:
Thursday, September 28th, 2017

Time and Location:
2:00-3:30pm, Waters Room, Zimmerman Library

Lecture Title:
Imagining Something Better: Punk, Tejano, La Bamba, and Other Rolas from My Border Hi-Fi

Description:

With a focus on narrative soundscapes from borderlands communities, this presentation reflects on the ways that music —in particular, Chicana/o punk— can examine complicity, entanglement and compromise in relation to nation, identity, migration and globalization.

Unrepentant border crosser, writer, ex-dj, and academic. Santiago Vaquera-Vásquez is an Associate Professor of US Southwestern Literatures, and Creative Writing in the Department of Spanish, and Portuguese at the University of New Mexico. Has lectured and taught at universities across the United States, Latin America, and Europe. Author of four collections of short stories, Algún día te cuento las cosas que he visto (2012), Luego el silencio (2014), One Day I’ll Tell You the Things I’ve Seen (2015), and En el Lost ‘n Found (2016). His academic work focuses on US Latino cultural expression, and US/Mexico border cultures.

[eventon_slider slider_type='carousel' lan='L1' orderby='ASC' date_out='5' date_in='4 date_range='future' id='slider_3' open_type='originalL' style='b' ef='all']
Music, Emotion and Fish with Dr. David Bashwiner Part 2

Music, Emotion and Fish with Dr. David Bashwiner Part 2

Music, Emotion and Fish with Dr. David Bashwiner Part 2 We are back, with Part 2 of ‘Music, Emotion, and Fish’. If you haven’t had the chance to listen to Part 1, you can click back to Episode 15, Dr. David Bashwiner was just getting to his work on the Midshipman...

You Can’t Tell It Like I Can: Black Women, Music, and the Struggle for Social Justice in America

You Can’t Tell It Like I Can: Black Women, Music, and the Struggle for Social Justice in America

This lecture/performance explores how black women have used music as a method of shaping the public rhetoric and sentiment surrounding the black civil rights struggle in America. Through a historical framework that moves through the height of the abolitionist movement, the Popular front during the 1930s and 1940s, the frontlines of the direct action campaigns of the 1960s, and the proliferation of the Black Power movement in the 1970s.

Pin It on Pinterest

Share This