Dr. Peter J. García
Date:
Thursday October 20, 2016
Time and Location:
2:00-3:30pm, Waters Room, Zimmerman Library
Lecture Title:
Decolonial Meditations and New Mexico Musical Homecomings: Reconciliation of Musical Heritages while Growing Up Indio-Hispano in the Greater Post-Chicano Duke City
Description:
This presentation examines New Mexico folk music collected by John Donald Robb and studied by Mexican musicologist Vicente T. Mendoza. These collections include folk melodies from the maternal side of García’s family. Regarded as extended and ancestral family heirlooms, these organic folk songs illustrate how New Mexico Hispano traditional music continues to mediate cultural differences and at times even reconciling historical conflicts. García presents his mestizo (mixed Hispanic) and Pueblo, Navajo (Diné), and Tlaxcalan heritages through music recordings made by his family members.
Dr. Peter J. García is Professor at California State University Northridge where he teaches in Music, Anthropology and Chicana/o Studies. He offers undergraduate courses in Understanding World Cultures Through Music, Mexican Regional Music and Dance, Introduction to Folklore and graduate seminars in U.S. Latina/o Borderlands Performance and Cultural Studies and Anthropology of Music. His Ph.D. in Ethnomusicology is from the University of Texas at Austin. He has published in various journals and anthologies and his original monograph Decolonizing Enchantment: Echoes of New Mexico Popular Music is in press with the University of New Mexico Press “Pasó Por Aqui” Nuevomexicano Hispanic Literary Series. He also is musical director of the CSUN Latin/o Music Performance Ensemble.
Arab Musicking on the U.S.–Mexico Border
This talk explores the relationship between trauma and identity by examining Arab music performance on the U.S.–Mexico border. Drawing on the musicking of Syrian and Mexican migrant communities, I interrogate theories of cultural and psychological trauma and borderland epistemologies to explore how border tensions influence the often-fraught views of identity.
Music from the Americas presents The Low Frequency Trio
Formed by Antonio Rosales (bass clarinet), Juan José García (doublebass), and José Luis Hurtado (piano), LOW FREQUENCY TRIO is one of the few ensembles in the world that plays music that was exclusively composed for them.
Music, Power, and Signification: A Phenomenological Reading of Race in New Spain
In New Spain, an institutional structure of merit and promotion hinged on the idea of reason as an intrinsically European attribute. This attribute differentiated ‘Europeans’ from people of mixed race claiming European status based on their skin complexion.