Lecture by UNM Emeritus Distinguished Professor, Steve Feld: “HEARING HEAT: AN ANTHROPOCENE ACOUSTEMOLOGY”
Thursday February 22, 2018
2:00-3:30pm
Location: Waters Room, Zimmerman.
Bruno Latour argues that even if poisoned, the anthropocene is a deep gift to human research, inciting new approaches to environmental responsibility. Taking up Latour’s challenge through acoustemology, the study of sound as a way of knowing, this talk engages histories of hearing heat that affectively entangle cicadas and humans in Papua New Guinea, Japan, and Greece.
Steven Feld is an anthropologist, musician/sound artist, and filmmaker. His acoustemology research projects include rainforest sound ecology in Papua New Guinea, the history of bells in Europe, and jazz cosmopolitanism in West Africa. He taught in multiple fields for 35 years, the last 10 of them at UNM. Presently he is Senior Scholar at the School for Advanced Research in Santa Fe, working on Voices of the Rainforest, a documentary feature film building on a 7.1 surround virtual rainforest that he composed this year at Skywalker Sound.
Dr. Kristina Jacobsen, Assistant Professor of Ethnomusicology, releases book
The Sound of Navajo Country: Music, Language and Diné Belonging (University of North Carolina Press), examines cultural intimacy and generational nostalgia on the Navajo (Diné) Nation (click here for brief interviews in English and Italian about her research).
Spain the ‘Eternal Maja’: Goya, Majismo, and the Reinvention of Spanish National Identity in Granados’s Goyescas.
This talk will explore the influence of artist Francisco Goya (1746-1828) on one of the greatest masterpieces of Spanish music, the Goyescas suite for solo piano by Enrique Granados (1867-1916).
‘Sol y Sombra’: Music in Images in the Arts of New Spain presented by Ray Hernández-Durán
Scenes depicting musicians performing are found in a range of colonial art forms. Here, I briefly explore religious music from the 16th century through an examination of mission design and manuscript illuminations, and secular or profane music from the 18th century represented in genre paintings, domestic spaces, and biombos.