On March 23rd and 24th, UNM Music Professors Kristina Jacobsen (Ethnomusicology; former President, Society for Ethnomusicology, Southwest Chapter) and David Bashwiner (Music Theory; outgoing President, Rocky Mountain Society for Music Theory) traveled with Musicology and Music Theory graduate students Regan Homeyer, Renata Yazzie and Matthew Stanley to present their original research at the regional Rocky Mountain Scholars’ Conference in Tucson, Arizona, hosted by the University of Arizona’s Department of Music. The very successful student papers given were:

Matthew Stanley (Music Theory), “Toward Metric Stability: The Interplay of Hemiola, Syncopation, and Meter in Brahms’ Violin Sonata No. 1 in G Major, Op. 78”
Regan Homeyer (Musicology), “Sounding the Nile: Hamza El Din as ‘Ethnographic Ear’”
Renata Yazzie (Musicology/Piano Performance), “Indigenizing Art Music: An Analysis of Connor Chee’s Navajo Vocables for Piano

<!-- [et_pb_line_break_holder] -->[eventon_slider slider_type='carousel' lan='L1' orderby='ASC' date_out='5' date_in='4 date_range='future' id='slider_3' open_type='originalL' style='b' ef='all']<!-- [et_pb_line_break_holder] -->
An Americanish Songbook: Linda Ronstadt’s “other” Country

An Americanish Songbook: Linda Ronstadt’s “other” Country

This talk will consider performances and recordings by singer Linda Ronstadt to propose what I refer to as her Americanish musical songbook. The suffix “ish” here intends to accentuate the “somewhat” or “to some extent” of “American” that Ronstadt—Tucson born and raised—lived and sonically imagined through her extraordinary musical career.

Arab Musicking on the U.S.–Mexico Border

Arab Musicking on the U.S.–Mexico Border

This talk explores the relationship between trauma and identity by examining Arab music performance on the U.S.–Mexico border. Drawing on the musicking of Syrian and Mexican migrant communities, I interrogate theories of cultural and psychological trauma and borderland epistemologies to explore how border tensions influence the often-fraught views of identity.

Music from the Americas presents The Low Frequency Trio

Music from the Americas presents The Low Frequency Trio

Formed by Antonio Rosales (bass clarinet), Juan José García (doublebass), and José Luis Hurtado (piano), LOW FREQUENCY TRIO is one of the few ensembles in the world that plays music that was exclusively composed for them.

Pin It on Pinterest

Share This