Based on 2 ½ years of singing and playing with Navajo county western bands, her book, The Sound of Navajo Country: Music, Language and Diné Belonging (forthcoming March 13th, 2017, University of North Carolina Press), examines cultural intimacy and generational nostalgia on the Navajo (Diné) Nation (click here for brief interviews in English and Italian about her research). This book is the first in a series, Critical Indigeneities, edited by J. Kēhaulani Kauanui and Jean M. O’Brien and focusing on contemporary indigenous experience and critical theory. Her research interests include: music and language, anthropology of the voice, politics of authenticity, indigeneity and belonging, music of Native North America, Sardinia and the Appalachian mountains, race and musical genre, music as cultural performance, indigenous language revitalization and U.S. working class expressive cultures. Together with Kerry F. Thompson (Diné), she has a forthcoming article on the recent Navajo Nation presidential election and language fluency debate, titled “The Right to Lead: Language, Iconicity Diné Presidential Politics. Recent articles include “Radmilla’s Voice: Music Genre, Blood Quantum and Belonging on the Navajo Nation” (Cultural Anthropology, 2014) and “Rita(hhh): Placemaking and Country Music on the Navajo Nation” (Ethnomusicology, 2009).
Kristina Jacobsen holds a PhD in Cultural Anthropology from Duke University, the MPhil in Ethnomusicology from Columbia University, a Master’s in Ethnomusicology from Arizona State University, and a Bachelor’s degree in Music (flute performance) and History (concentration: Native North America).
Different Rivers: Sardinian Hill Country and the DIY Ethos of River of Gennargentu
In the summer of 2014, the Bluesman “River of Gennargentu” released, on his SoundCloud page, three songs of hill country blues, sung in English and played with a technique like those of historical Delta blues artists, recorded in low-quality sound. Within a few months, the web page collected dozens of comments from users who were amazed by this new “discovery” and demanded the real artist’s origin, as-yet-not-specified.
Decolonizing Strategies in Ethnomusicology, Teaching, and Performance
Perspectives from the US Southwest and Latin America featuring performances by J.D. Robb Trust. This symposium consists of an initial roundtable centered on decolonizing strategies in ethnomusicology followed by two shorter sessions: the first focusing on decolonizing pedagogies and the second on performance and activism.
2018-19 New Mexico Winds and Brass All State Etudes
Featuring the UNM Winds and Brass faculty