A 90 minute, 4K, 7.1 surround sound eco-rockumentary concert of a day in the life of the Bosavi people and their rainforest home in Papua New Guinea, directed and produced by Steven Feld and based on recordings and images from 1976-2018. Produced in collaboration with Grateful Dead drummer Mickey Hart, and assembled with Skywalker Sound mixer Dennis Leonard, and filmmaker Jeremiah Richards. Q&A with filmmakers after the screening. Presented by the Society for Ethnomusicology., All ticket sales benefit the Bosavi Peoples Fund, advocating for social and environmental justice in one of the most remote parts of Papua New Guinea.

Albuquerque Museum of Natural History Dynatheatre, $10, 1:45p, Thursday November 15. Tickets available for purchase at the door. Please contact Regan Homeyer for additional details or questions: reganhomeyer@unm.edu.

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You Can’t Tell It Like I Can: Black Women, Music, and the Struggle for Social Justice in America

You Can’t Tell It Like I Can: Black Women, Music, and the Struggle for Social Justice in America

This lecture/performance explores how black women have used music as a method of shaping the public rhetoric and sentiment surrounding the black civil rights struggle in America. Through a historical framework that moves through the height of the abolitionist movement, the Popular front during the 1930s and 1940s, the frontlines of the direct action campaigns of the 1960s, and the proliferation of the Black Power movement in the 1970s.

An Americanish Songbook: Linda Ronstadt’s “other” Country

An Americanish Songbook: Linda Ronstadt’s “other” Country

This talk will consider performances and recordings by singer Linda Ronstadt to propose what I refer to as her Americanish musical songbook. The suffix “ish” here intends to accentuate the “somewhat” or “to some extent” of “American” that Ronstadt—Tucson born and raised—lived and sonically imagined through her extraordinary musical career.

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