Musicology Colloquium
The University of New Mexico Department of Music and The Latin American and Iberian Institute
Thursday April 2, 2020
2:00-3:30pm
Latin American and Iberian Institute Conference Room
This talk will consider performances and recordings by singer Linda Ronstadt to propose what I refer to as her Americanish musical songbook. The suffix “ish” here intends to accentuate the “somewhat” or “to some extent” of “American” that Ronstadt—Tucson born and raised—lived and sonically imagined through her extraordinary musical career.
Deborah R. Vargas is Associate Professor and The Henry Rutgers Term Chair in Comparative Sexuality, Gender, and Race in the Department of Women’s, Gender, and Sexuality Studies at Rutgers University. Vargas is currently at work on two manuscripts, “Brown Soul: On Blackness and the Cultural Politics of Chicanidad” and “Americanish: Linda Ronstadt’s Brown Sound.” Vargas has contributed a number of oral histories with Chicana singers to the Smithsonian Institute’s Latino Music Oral History Project and is a member of the editorial boards of Women and Music: A Journal of Gender and Culture and Latino Studies.
Dr. Kristina Jacobsen releases a new album of co-writes with UNM Music Alumni Meredith Wilder
Dr. Kristina Jacobsen releases a new album of co-writes with UNM Music Alunmi, Meredith Wilder. They will be performing two shows for the CD release of “Elemental.”
Congratulations, Susan Kempter and Laurie Lopez!
Susan Kempter and Laurie Lopez were recognized by the New Mexico chapter of the American String Teachers Association earlier this year.
Hearing Heat: An Anthropocene Acoustemology
Bruno Latour argues that even if poisoned, the anthropocene is a deep gift to human research, inciting new approaches to environmental responsibility. Taking up Latour’s challenge through acoustemology, the study of sound as a way of knowing, this talk engages histories of hearing heat that affectively entangle cicadas and humans in Papua New Guinea, Japan, and Greece.