Musicology Colloquium
Thursday March 12, 2020
2:00-3:30pm
CFA 2100
This talk explores the relationship between trauma and identity by examining Arab music performance on the U.S.–Mexico border. Drawing on the musicking of Syrian and Mexican migrant communities, I interrogate theories of cultural and psychological trauma and borderland epistemologies to explore how border tensions influence the often-fraught views of identity.
Dr. Andrea Shaheen Espinosa is Associate Professor of Ethnomusicology and Oboe at the University of Texas, El Paso, and currently serves as the Musicology Area Coordinator for the Department of Music. She is the founder and director of the UTEP’s internationally recognized Middle Eastern music ensemble, Layali Al-Sham. She is a Fulbright Fellow, a FLAS recipient, and a Medici Scholar, and is currently serving as the UTEP College of Liberal Arts Dean’s Faculty Fellow. Her research focuses on music, migration, and trauma, and her recent publications include articles in The Double Reed, Cahiers d’ethnomusicologie, and Yearbook for Traditional Music.
Free Drumset Clinic hosted by John Riley
John has a Bachelor of Music degree in jazz education from the University of North Texas and a Master of Music in jazz studies from Manhattan School of Music. He is on the faculty of Manhattan School of Music, and SUNY Purchase, and is an Artist in Residence at Amsterdam Conservatory, Holland.
Musicology Colloquium Series: The Black Pacific: Music, Race, and Indigeneity in Australia and Papua New Guinea
From the Fisk Jubilee Singers’ tour of Australasia in the 1890s to Snoop Dogg’s visit to Brisbane in 2014, the last century has seen ongoing, intensive intersections between Indigenous and African Diasporic musicians and activists in the Southwestern Pacific.
Amjad Ali Khan, Sarod Virtuso and Composer Joins the UNM Faculty
Amjad Ali Khan is one of the undisputed masters of the music world. For many, he takes on a celestial avatar when he is playing the Sarod. Born to Sarod icon Haafiz Ali Khan, he gave his first performance at the age of six. Over the course of his career, he has delivered his music in a flexible instrument line that is vocal in its expressiveness.