Musicology Colloquium Series
Sponsored by The University of New Mexico Department of Music and the Latin American and Iberian Institute
Thursday April 18, 2:00-3:30pm
LAII Conference Room
Talk Description:
Argentine soccer fandom involves a nuanced set of bodily practices and a vast repertoire of chants based on radio hits and broadcast advertisement. This talk demonstrates how chanting brings together sounds and bodies in an affective public practice that incites intense feelings of social cohesion and belonging meaningful beyond what is being said with words.
Biography:
Eduardo Herrera is Assistant Professor at Rutgers University specialized in musical traditions from Latin America, the Caribbean, and Latinx peoples in the United States from historical and ethnographic perspectives. His book, Elite Art Worlds: Philanthropy, Latin Americanism, and Avant-Garde Music (Oxford University Press, forthcoming 2019) explores the history of the Centro Latinoamericano de Altos Estudios Musicales. Herrera is co-editor of Experimentalisms in Practice: Music Perspectives from Latin America (Oxford University Press, 2018). Herrera’s second book project, titled Soccer Chants: The Sonic Potentials of Participatory Sounding- and Moving-in-Synchrony studies collective chanting in Argentine soccer stadiums.
Santiago Vaquera-Vásquez: Imagining Something Better: Punk, Tejano, La Bamba, and Other Rolas from My Border Hi-Fi
Unrepentant border crosser, writer, ex-dj, and academic. Santiago Vaquera-Vásquez is an Associate Professor of US Southwestern Literatures, and Creative Writing in the Department of Spanish, and Portuguese at the University of New Mexico.
Music from the Americas presents “Scaling the Wall”
“Scaling the Wall” is a project that promotes works for flute by Canadian, American and Mexican ex-patriate composers. It seeks to showcase how contemporary composers connected to those countries have successfully bridged the political, cultural and geographic borders crossing the western 100th meridian. Featured composers’ works vary in style, instrumentation and compositional approach, but also illustrate the universality of music, regardless of nationality.
Music from the Americas presents Iracema de Andrade, cello
Brazilian cellist Iracema de Andrade is strongly committed to the music of our time. Her repertory includes pieces for solo cello, cello and electronics, as well as multimedia and improvisation.