Musicology Colloquium Series
Sponsored by The University of New Mexico Department of Music and the Latin American and Iberian Institute

Thursday April 18, 2:00-3:30pm

LAII Conference Room

 

Talk Description:
Argentine soccer fandom involves a nuanced set of bodily practices and a vast repertoire of chants based on radio hits and broadcast advertisement. This talk demonstrates how chanting brings together sounds and bodies in an affective public practice that incites intense feelings of social cohesion and belonging meaningful beyond what is being said with words.

Biography: 
Eduardo Herrera is Assistant Professor at Rutgers University specialized in musical traditions from Latin America, the Caribbean, and Latinx peoples in the United States from historical and ethnographic perspectives. His book, Elite Art Worlds: Philanthropy, Latin Americanism, and Avant-Garde Music (Oxford University Press, forthcoming 2019) explores the history of the Centro Latinoamericano de Altos Estudios Musicales. Herrera is co-editor of Experimentalisms in Practice: Music Perspectives from Latin America (Oxford University Press, 2018). Herrera’s second book project, titled Soccer Chants: The Sonic Potentials of Participatory Sounding- and Moving-in-Synchrony studies collective chanting in Argentine soccer stadiums.

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Snapshot

Snapshot

A Collaborative program featuring both student and faulty from the departments of Music and Theatre & Dance.

Cuncordu Sas Bator Colonnas perform at Outpost

Cuncordu Sas Bator Colonnas perform at Outpost

Sas Bator Colonnas is a multipart singing group from the Scano di Montiferro, a mountainous region in central Sardinia, Italy. Antioco Milia, Antonio Carboni, Stefano Desogos and Francesco Fodde started singing together in 2002, carrying on the vernacularmultipart singing practice, one of the most representative cultural forms of their village and their island, which is performed by four male singers and called cuncordu.

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