The College of Fine Arts and Department of Music are excited to announce that Dr. David Edmonds will be joining our faculty this fall as the new Director of Choral Studies. Dr. Edmonds joins UNM after serving as Director of Choral Activities at the University of Montana since 2012. Under his direction the UM Chamber Chorale was invited to perform for the 2015 NAfME NW and 2016 NW ACDA Conferences—both first-time invitations for the choir.
As an active member of the American Choral Directors Association, he has held multiple leadership roles through the organization, including Montana R&R Chair for Women’s Choirs and NWACDA R&R Chair for Student Activities. In 2018, he was appointed as the ACDA National R&R Chair for Student Activities. Before his work at the University of Montana, Dr. Edmonds obtained advanced degrees in conducting from the University of North Texas and Westminster Choir College and taught high school choral music for six years in Iowa and Texas.
His original choral works and arrangements have been commissioned and recorded by schools and arts organizations in the United States and Canada and are available through Alliance Music Publications, Inc., Colla Voce Music, and Morningstar Music Publishing.
Arab Musicking on the U.S.–Mexico Border
This talk explores the relationship between trauma and identity by examining Arab music performance on the U.S.–Mexico border. Drawing on the musicking of Syrian and Mexican migrant communities, I interrogate theories of cultural and psychological trauma and borderland epistemologies to explore how border tensions influence the often-fraught views of identity.
Music from the Americas presents The Low Frequency Trio
Formed by Antonio Rosales (bass clarinet), Juan José García (doublebass), and José Luis Hurtado (piano), LOW FREQUENCY TRIO is one of the few ensembles in the world that plays music that was exclusively composed for them.
Music, Power, and Signification: A Phenomenological Reading of Race in New Spain
In New Spain, an institutional structure of merit and promotion hinged on the idea of reason as an intrinsically European attribute. This attribute differentiated ‘Europeans’ from people of mixed race claiming European status based on their skin complexion.