THE GAY WEST: FROM DRUG STORE COWBOYS TO RODEO QUEENS

Talk Description: The masculine ideal represented by the American cowboy is variously interpreted by spectators, dancers, musicians, and contestants at gay rodeos and country western dances across the U.S. Examining embodied gender practices within these communities, this talk articulates the sonic, social, and geographical spaces of the gay American West.

 

Biography: Kate Alexander received her Ph.D. in ethnomusicology from the University of California, Riverside in 2014. Her research focuses on intersections of whiteness, gender, and sexuality in North American music and dance communities, including Cape Breton’s traditional Scottish culture, and her current research on American LGBTQ country western dance and rodeo networks. Her work has been published in journals such as MUSICulturesand the Yearbook for Traditional Music. She is an Assistant Professor in the Honors College at the University of Arizona, where she teaches interdisciplinary courses on sound, music, visual art, and culture.

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Decolonizing Strategies in Ethnomusicology, Teaching, and Performance

Decolonizing Strategies in Ethnomusicology, Teaching, and Performance

Perspectives from the US Southwest and Latin America featuring performances by J.D. Robb Trust. This symposium consists of an initial roundtable centered on decolonizing strategies in ethnomusicology followed by two shorter sessions: the first focusing on decolonizing pedagogies and the second on performance and activism.

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