Dr. Michael Vercelli
Clinic/master class on West African Gyil Performance
Tuesday, October 25, 2016
2:00 – 3:00
Room B120
Dr. Michael B. Vercelli is the director of the World Music Performance Center at West Virginia University. Michael holds a Doctor of Musical Arts degree in Percussion Performance with a minor in Ethnomusicology from the University of Arizona. While well versed in the classical percussion repertoire, Michael’s specialty lies in non-Western instruments. He has studied the traditional music of other countries and done fieldwork in Bali, Cuba, Brazil, and primarily, Ghana. Dr. Vercelli has received many awards for both his performance and study of indigenous music such including a WVU Faculty Senate Research Grant for his project – “Remembering the Hunters: Preservation through Performance of the Ritual Birifor Funeral Music of Ghana.” At WVU, Dr. Vercelli also directs summer study abroad courses to Ghana and Brazil, focusing on music, dance and cultural emersion. Dr. Vercelli is a contributing author to the World Percussion chapter in the third edition of Gary Cook’s Teaching Percussion. He is a participating member in the Society for Ethnomusicology and Percussive Arts Society where he serves on the World Percussion Committee. Michael has given lectures, performances and workshops, across the United States, Mexico, Brazil, China and Iceland, and is a founding member of the Zumbumba Percussion Trio.
An Americanish Songbook: Linda Ronstadt’s “other” Country
This talk will consider performances and recordings by singer Linda Ronstadt to propose what I refer to as her Americanish musical songbook. The suffix “ish” here intends to accentuate the “somewhat” or “to some extent” of “American” that Ronstadt—Tucson born and raised—lived and sonically imagined through her extraordinary musical career.
Arab Musicking on the U.S.–Mexico Border
This talk explores the relationship between trauma and identity by examining Arab music performance on the U.S.–Mexico border. Drawing on the musicking of Syrian and Mexican migrant communities, I interrogate theories of cultural and psychological trauma and borderland epistemologies to explore how border tensions influence the often-fraught views of identity.
Music from the Americas presents The Low Frequency Trio
Formed by Antonio Rosales (bass clarinet), Juan José García (doublebass), and José Luis Hurtado (piano), LOW FREQUENCY TRIO is one of the few ensembles in the world that plays music that was exclusively composed for them.