The University of New Mexico’s Department of Music and the College of Fine Arts welcomes Dr. Solis to Keller Hall for his lecture on Thursday, February 18th at 2:00pm, “The Black Pacific: Music, Race, and Indigeneity in Australia and Papua New Guinea.”
From the Fisk Jubilee Singers’ tour of Australasia in the 1890s to Snoop Dogg’s visit to Brisbane in 2014, the last century has seen ongoing, intensive intersections between Indigenous and African Diasporic musicians and activists in the Southwestern Pacific. Dr. Gabriel Solis explores the musical history examining how it represents a continuation of older Indigenous cosmopolitanism and a newer structure, emerging alongside colonial processes.
Dr. Gabriel Solis is Professor of Music, African American Studies, and Anthropology at the University of Illinois, Urbana-Champaign. A scholar of historical ethnomusicology, he has done research in the U.S, Australia, and Papua New Guinea. His work focuses on musical racialization as a component of global modernity. In addition to the books Monk’s Music: Thelonious Monk and Jazz History in the Making (2008), Thelonious Monk Quartet with John Coltrane (2014), and Musical Improvisation: Art, Education, and Society (2009, co-edited with Bruno Nettl), he is the author of articles and book chapters that have appeared in such journals as Ethnomusicology, Popular Music and Society, the Journal of the Royal Musical Association, the Musical Quarterly, Musicultures, and Critical Sociology.
Dr. Kristina Jacobsen awarded The Fulbright Con Il Sud Award for Teaching and Research
Dr. Jacobsen, was recently awarded the Fulbright Con Il Sud Award for Teaching and Research to support her upcoming research during her sabbatical year on the Italian island of Sardinia [Sardigna].
Heterophony: Texture, Technique, and Social Commentary
This lecture is in two parts: the first draws from my research on the 1960s jazz avant-garde and musicians’ interests in heterophonic musical textures. For the second part, I perform original music that utilizes heterophony and “noise” in a solo electronic and improvised format.
The Gay West: From Drug Store Cowboys to Rodeo Queens
The masculine ideal represented by the American cowboy is variously interpreted by spectators, dancers, musicians, and contestants at gay rodeos and country western dances across the U.S. Examining embodied gender practices within these communities, this talk articulates the sonic, social, and geographical spaces of the gay American West.