April 19, 2017
8:30 pm
Keller Hall
Rodrigo Sigal / Vida Lunar
Gonzalo Macías, / Rompiendo el aire quieto
Carlos López Charles / Susurro del Ensueño
José Luis Hurtado / The Untitled 4
Javier Álvarez / I. Le Repas du Serpent II. Retour a la raison
Jean Angelus Pichardo / Aún es tiempo de las mariposas
Brazilian cellist Iracema de Andrade is strongly committed to the music of our time. Her repertory includes pieces for solo cello, cello and
electronics, as well as multimedia and improvisation. She is constantly touring Latin America and recording works that were written specially for her. De Andrade holds degrees from the University of Sao Paulo, the National Autonomous University of Mexico and the London College of Music.
Heterophony: Texture, Technique, and Social Commentary
This lecture is in two parts: the first draws from my research on the 1960s jazz avant-garde and musicians’ interests in heterophonic musical textures. For the second part, I perform original music that utilizes heterophony and “noise” in a solo electronic and improvised format.
The Gay West: From Drug Store Cowboys to Rodeo Queens
The masculine ideal represented by the American cowboy is variously interpreted by spectators, dancers, musicians, and contestants at gay rodeos and country western dances across the U.S. Examining embodied gender practices within these communities, this talk articulates the sonic, social, and geographical spaces of the gay American West.
The Cruelty of Jazz: Toward a Hemispheric Politics of Sound
Rooted in concepts of affect and Empire, this paper argues that jazz operated in various 20th century Latin American settings as a vital touchstone bearing the risks and benefits of urban modernization, hemispheric geopolitics, and transnational cultural production, “cruelly” echoing the United States’ cultural, political, and economic dominance in the hemisphere and beyond.