April 19, 2017
8:30 pm
Keller Hall
Rodrigo Sigal / Vida Lunar
Gonzalo Macías, / Rompiendo el aire quieto
Carlos López Charles / Susurro del Ensueño
José Luis Hurtado / The Untitled 4
Javier Álvarez / I. Le Repas du Serpent II. Retour a la raison
Jean Angelus Pichardo / Aún es tiempo de las mariposas
Brazilian cellist Iracema de Andrade is strongly committed to the music of our time. Her repertory includes pieces for solo cello, cello and
electronics, as well as multimedia and improvisation. She is constantly touring Latin America and recording works that were written specially for her. De Andrade holds degrees from the University of Sao Paulo, the National Autonomous University of Mexico and the London College of Music.
Arab Musicking on the U.S.–Mexico Border
This talk explores the relationship between trauma and identity by examining Arab music performance on the U.S.–Mexico border. Drawing on the musicking of Syrian and Mexican migrant communities, I interrogate theories of cultural and psychological trauma and borderland epistemologies to explore how border tensions influence the often-fraught views of identity.
Music from the Americas presents The Low Frequency Trio
Formed by Antonio Rosales (bass clarinet), Juan José García (doublebass), and José Luis Hurtado (piano), LOW FREQUENCY TRIO is one of the few ensembles in the world that plays music that was exclusively composed for them.
Music, Power, and Signification: A Phenomenological Reading of Race in New Spain
In New Spain, an institutional structure of merit and promotion hinged on the idea of reason as an intrinsically European attribute. This attribute differentiated ‘Europeans’ from people of mixed race claiming European status based on their skin complexion.