April 19, 2017
8:30 pm
Keller Hall
Rodrigo Sigal / Vida Lunar
Gonzalo Macías, / Rompiendo el aire quieto
Carlos López Charles / Susurro del Ensueño
José Luis Hurtado / The Untitled 4
Javier Álvarez / I. Le Repas du Serpent II. Retour a la raison
Jean Angelus Pichardo / Aún es tiempo de las mariposas
Brazilian cellist Iracema de Andrade is strongly committed to the music of our time. Her repertory includes pieces for solo cello, cello and
electronics, as well as multimedia and improvisation. She is constantly touring Latin America and recording works that were written specially for her. De Andrade holds degrees from the University of Sao Paulo, the National Autonomous University of Mexico and the London College of Music.
Dr. José Luis Hurtado awarded prestigious Guggenheim Fellowship
Composer and pianist José Luis Hurtado, an associate professor in The University of New Mexico’s Department of Music in the College of Fine Arts, is one of the 2020 winners of the prestigious Guggenheim Fellowship.
You Can’t Tell It Like I Can: Black Women, Music, and the Struggle for Social Justice in America
This lecture/performance explores how black women have used music as a method of shaping the public rhetoric and sentiment surrounding the black civil rights struggle in America. Through a historical framework that moves through the height of the abolitionist movement, the Popular front during the 1930s and 1940s, the frontlines of the direct action campaigns of the 1960s, and the proliferation of the Black Power movement in the 1970s.
An Americanish Songbook: Linda Ronstadt’s “other” Country
This talk will consider performances and recordings by singer Linda Ronstadt to propose what I refer to as her Americanish musical songbook. The suffix “ish” here intends to accentuate the “somewhat” or “to some extent” of “American” that Ronstadt—Tucson born and raised—lived and sonically imagined through her extraordinary musical career.