During the spring of 2015, Drs. Kristin Ditlow and Karola Obermüller began planning the first installments of a contemporary music exchange. This exchange would bring American contemporary music to Germany, and likewise sponsor performances of contemporary German music in New Mexico.
The project quickly expanded to include Professors Eric Lau and Scott Ney, with performances in Nürnberg and Darmstadt and master classes in Würzburg.
darabq1summer2015 from Kristin Ditlow on Vimeo.
The program included compositions by Volker Blumenthaler, professor for composition and theory at Nuremberg Hochschule für Musik, Cord Meijering, director of Akademie für Tonkunst, Darmstadt; UNM Music Faculty Karola Obermüller, Jose-Luis Hurtado, Peter Gilbert, and Richard Hermann; and noted composers Olivier Messiaen, Lori Laitman, Milton Babbitt, and James Beale.
The Nürnberg performance was hosted by Monika Teepe and Volker Blumenthaler while the Würzburg Hochschule für Musik hosted master classes for percussion and saxophone. The Akademie für Tonkunst, Darmstadt, was the host for the Darmstadt solo “klavierabend.”
Future performances and exchanges are being planned for the coming season.
Dr. José Luis Hurtado awarded prestigious Guggenheim Fellowship
Composer and pianist José Luis Hurtado, an associate professor in The University of New Mexico’s Department of Music in the College of Fine Arts, is one of the 2020 winners of the prestigious Guggenheim Fellowship.
You Can’t Tell It Like I Can: Black Women, Music, and the Struggle for Social Justice in America
This lecture/performance explores how black women have used music as a method of shaping the public rhetoric and sentiment surrounding the black civil rights struggle in America. Through a historical framework that moves through the height of the abolitionist movement, the Popular front during the 1930s and 1940s, the frontlines of the direct action campaigns of the 1960s, and the proliferation of the Black Power movement in the 1970s.
An Americanish Songbook: Linda Ronstadt’s “other” Country
This talk will consider performances and recordings by singer Linda Ronstadt to propose what I refer to as her Americanish musical songbook. The suffix “ish” here intends to accentuate the “somewhat” or “to some extent” of “American” that Ronstadt—Tucson born and raised—lived and sonically imagined through her extraordinary musical career.