DIFFERENT RIVERS:

Sardinian Hill Country and the DIY Ethos of River of Gennargentu

Presented by Diego Pani

Tuesday, November 13th 2018
2:00 – 3:30 p.m.
Fine Arts and Design Library – Main Foyer

 

In the summer of 2014, the Bluesman “River of Gennargentu” released, on his SoundCloud page, three songs of hill country blues, sung in English and played with a technique like those of historical Delta blues artists, recorded in low-quality sound. Within a few months, the web page collected dozens of comments from users who were amazed by this new “discovery” and demanded the real artist’s origin, as-yet-not-specified. For many listeners, these songs seemed played by an American bluesman: the Gennargentu, however, is not in the United States, but is in fact a mountain range in central Sardinia (Italy). “River of Gennargentu” is from a little Sardinian village named Gavoi, and produces his music drawing inspiration from the US blues musicians of the early 1900s, declaring his love for the DIY philosophy, building his own instruments and using low-fi home-recording techniques. This talk shows how rural blues is redefined by musicians in relation to Sardinian territory, thanks to a complex alternation of retro-mania (the idealized American past) and the idealistic claim which see in the DIY a way to revive the “raw” spirit of the origins of the blues, adapting this one to the cultural space of Sardinia.

 

Diego Pani works as ethnomusicologist with the Sardinian instituto Superlore Regionale Etnograflco (ISRE). He is also a Ph.D. Student in Ethnomusicology at Memorial University of Newfoundland, Canada. His research focuses on the dynamic of music performance of young generations of musicians in reference of social meaning via audio and video materials in the vernacular traditions of Sardinia. He is also interested in the study of local DIY blues musical scenes, with particular reference with the Sardinian one. Additionally, he is engaged in the production of documentary films, web documentaries, and photo reportages. Besides his academic work, he sings in the rock ’n ’roll band King Howl and manages Talk About Records, a DIY record label specialized in blues, rock ‘n’ roll, and punk rock music.

This event is sponsored by the UNM Department of Music, Outpost Performance Space, Italian Festivals of New Mexico, Albuquerque Italian Language and Culture Group, Talk About Records (Sardegna), the College of Fine Arts, and the Society for Ethnomusicology.

<!-- [et_pb_line_break_holder] -->[eventon_slider slider_type='carousel' lan='L1' orderby='ASC' date_out='5' date_in='4 date_range='future' id='slider_3' open_type='originalL' style='b' ef='all']<!-- [et_pb_line_break_holder] -->
Cuncordu Sas Bator Colonnas perform at Outpost

Cuncordu Sas Bator Colonnas perform at Outpost

Sas Bator Colonnas is a multipart singing group from the Scano di Montiferro, a mountainous region in central Sardinia, Italy. Antioco Milia, Antonio Carboni, Stefano Desogos and Francesco Fodde started singing together in 2002, carrying on the vernacularmultipart singing practice, one of the most representative cultural forms of their village and their island, which is performed by four male singers and called cuncordu.

Decolonizing Strategies in Ethnomusicology, Teaching, and Performance

Decolonizing Strategies in Ethnomusicology, Teaching, and Performance

Perspectives from the US Southwest and Latin America featuring performances by J.D. Robb Trust. This symposium consists of an initial roundtable centered on decolonizing strategies in ethnomusicology followed by two shorter sessions: the first focusing on decolonizing pedagogies and the second on performance and activism.

Pin It on Pinterest

Share This