DIFFERENT RIVERS:

Sardinian Hill Country and the DIY Ethos of River of Gennargentu

Presented by Diego Pani

Tuesday, November 13th 2018
2:00 – 3:30 p.m.
Fine Arts and Design Library – Main Foyer

 

In the summer of 2014, the Bluesman “River of Gennargentu” released, on his SoundCloud page, three songs of hill country blues, sung in English and played with a technique like those of historical Delta blues artists, recorded in low-quality sound. Within a few months, the web page collected dozens of comments from users who were amazed by this new “discovery” and demanded the real artist’s origin, as-yet-not-specified. For many listeners, these songs seemed played by an American bluesman: the Gennargentu, however, is not in the United States, but is in fact a mountain range in central Sardinia (Italy). “River of Gennargentu” is from a little Sardinian village named Gavoi, and produces his music drawing inspiration from the US blues musicians of the early 1900s, declaring his love for the DIY philosophy, building his own instruments and using low-fi home-recording techniques. This talk shows how rural blues is redefined by musicians in relation to Sardinian territory, thanks to a complex alternation of retro-mania (the idealized American past) and the idealistic claim which see in the DIY a way to revive the “raw” spirit of the origins of the blues, adapting this one to the cultural space of Sardinia.

 

Diego Pani works as ethnomusicologist with the Sardinian instituto Superlore Regionale Etnograflco (ISRE). He is also a Ph.D. Student in Ethnomusicology at Memorial University of Newfoundland, Canada. His research focuses on the dynamic of music performance of young generations of musicians in reference of social meaning via audio and video materials in the vernacular traditions of Sardinia. He is also interested in the study of local DIY blues musical scenes, with particular reference with the Sardinian one. Additionally, he is engaged in the production of documentary films, web documentaries, and photo reportages. Besides his academic work, he sings in the rock ’n ’roll band King Howl and manages Talk About Records, a DIY record label specialized in blues, rock ‘n’ roll, and punk rock music.

This event is sponsored by the UNM Department of Music, Outpost Performance Space, Italian Festivals of New Mexico, Albuquerque Italian Language and Culture Group, Talk About Records (Sardegna), the College of Fine Arts, and the Society for Ethnomusicology.

<!-- [et_pb_line_break_holder] -->[eventon_slider slider_type='carousel' lan='L1' orderby='ASC' date_out='5' date_in='4 date_range='future' id='slider_3' open_type='originalL' style='b' ef='all']<!-- [et_pb_line_break_holder] -->
Embodying Fandom: Chanting in Twentieth-Century Argentine Soccer

Embodying Fandom: Chanting in Twentieth-Century Argentine Soccer

Argentine soccer fandom involves a nuanced set of bodily practices and a vast repertoire of chants based on radio hits and broadcast advertisement. This talk demonstrates how chanting brings together sounds and bodies in an affective public practice that incites intense feelings of social cohesion and belonging meaningful beyond what is being said with words.

Dr. Kristina Jacobsen is awarded the 2018 Woody Guthrie Book Award

Dr. Kristina Jacobsen is awarded the 2018 Woody Guthrie Book Award

Dr. Kristina Jacobsen, Assistant Professor of Ethnomusicology in the UNM Department of Music, is awarded the 2018 Woody Guthrie Book Award for the most outstanding book in popular music by the International Association for the Study of Popular Music (IASPM-U.S.).

Music from the Americas Concert Series presents The Arditti Quartet

Music from the Americas Concert Series presents The Arditti Quartet

The Arditti Quartet has established itself as one of the world’s foremost chamber ensembles dedicated to contemporary music. It enjoys a world-wide reputation for their spirited and technically refined interpretations of contemporary and earlier 20th century music.

Pin It on Pinterest

Share This