March 28th – April 1st
The Symposium offers lecture concerts, master classes and concerts, all of which are free and open to the public.
Evening concerts Monday through Thursday at 7:30 p.m., plus master classes and lecture concerts during the day.
Featured composers include: John Luther Adams, Louis Ballard, Curt Cacioppo, Raven Chacon, Michael Daugherty, Kyle Gann, Peter Gilbert, José-Luis Hurtado, Valerie Naranjo, Karola Obermüller, Trevor Reed,John Donald Robb, Christopher Shultis, and Falko Steinbach.
Featured artists: Amernet Quartet and Emanuele Arciuli.
2016 Symposium Concert Schedule 14-Mar-2016 (71 KB)
2016 Symposium Daytime Schedule 14-Mar-2016 (70 KB)
The Trust promotes the exploration of new music through the UNM John Donald Robb Composers’ Symposium, which takes place every spring on the UNM campus. Since 1972, the internationally renowned symposium has brought composers and musicians from around the world to UNM for a series of public concerts and unique learning opportunities for UNM students. Past guest composers have included such luminaries as John Cage, Lukas Foss, Michael Colgrass, Anthony Braxton and Gordon Mumma.
Every other year, the Trust sponsors the UNM John Donald Robb Commission Competition. The winner receives a cash prize and the opportunity to have his/her composition performed during the Composers’ Symposium. The 2016 Commission Competition awardee will be announced in March.
The UNM Robb Musical Trust serves as a bridge between the UNM College of Fine Arts and the New Mexico community, regularly presenting concerts of Robb’s compositions along with Hispanic folk songs, preserving and promoting the archive of 3,000 field recordings Robb made, and collaborating with community partners in educational initiatives. Through its many activities, the Trust proudly carries on the vision of its namesake, John Donald Robb.
Different Rivers: Sardinian Hill Country and the DIY Ethos of River of Gennargentu
In the summer of 2014, the Bluesman “River of Gennargentu” released, on his SoundCloud page, three songs of hill country blues, sung in English and played with a technique like those of historical Delta blues artists, recorded in low-quality sound. Within a few months, the web page collected dozens of comments from users who were amazed by this new “discovery” and demanded the real artist’s origin, as-yet-not-specified.
Decolonizing Strategies in Ethnomusicology, Teaching, and Performance
Perspectives from the US Southwest and Latin America featuring performances by J.D. Robb Trust. This symposium consists of an initial roundtable centered on decolonizing strategies in ethnomusicology followed by two shorter sessions: the first focusing on decolonizing pedagogies and the second on performance and activism.
2018-19 New Mexico Winds and Brass All State Etudes
Featuring the UNM Winds and Brass faculty