Musicology Colloquium
The University of New Mexico Department of Music and The Latin American and Iberian Institute
Thursday April 2, 2020
2:00-3:30pm
Latin American and Iberian Institute Conference Room
This talk will consider performances and recordings by singer Linda Ronstadt to propose what I refer to as her Americanish musical songbook. The suffix “ish” here intends to accentuate the “somewhat” or “to some extent” of “American” that Ronstadt—Tucson born and raised—lived and sonically imagined through her extraordinary musical career.
Deborah R. Vargas is Associate Professor and The Henry Rutgers Term Chair in Comparative Sexuality, Gender, and Race in the Department of Women’s, Gender, and Sexuality Studies at Rutgers University. Vargas is currently at work on two manuscripts, “Brown Soul: On Blackness and the Cultural Politics of Chicanidad” and “Americanish: Linda Ronstadt’s Brown Sound.” Vargas has contributed a number of oral histories with Chicana singers to the Smithsonian Institute’s Latino Music Oral History Project and is a member of the editorial boards of Women and Music: A Journal of Gender and Culture and Latino Studies.
Dr. Kristina Jacobsen, Assistant Professor of Ethnomusicology, releases book
The Sound of Navajo Country: Music, Language and Diné Belonging (University of North Carolina Press), examines cultural intimacy and generational nostalgia on the Navajo (Diné) Nation (click here for brief interviews in English and Italian about her research).
Spain the ‘Eternal Maja’: Goya, Majismo, and the Reinvention of Spanish National Identity in Granados’s Goyescas.
This talk will explore the influence of artist Francisco Goya (1746-1828) on one of the greatest masterpieces of Spanish music, the Goyescas suite for solo piano by Enrique Granados (1867-1916).
‘Sol y Sombra’: Music in Images in the Arts of New Spain presented by Ray Hernández-Durán
Scenes depicting musicians performing are found in a range of colonial art forms. Here, I briefly explore religious music from the 16th century through an examination of mission design and manuscript illuminations, and secular or profane music from the 18th century represented in genre paintings, domestic spaces, and biombos.