Musicology Colloquium
Thursday March 12, 2020
2:00-3:30pm
CFA 2100
This talk explores the relationship between trauma and identity by examining Arab music performance on the U.S.–Mexico border. Drawing on the musicking of Syrian and Mexican migrant communities, I interrogate theories of cultural and psychological trauma and borderland epistemologies to explore how border tensions influence the often-fraught views of identity.
Dr. Andrea Shaheen Espinosa is Associate Professor of Ethnomusicology and Oboe at the University of Texas, El Paso, and currently serves as the Musicology Area Coordinator for the Department of Music. She is the founder and director of the UTEP’s internationally recognized Middle Eastern music ensemble, Layali Al-Sham. She is a Fulbright Fellow, a FLAS recipient, and a Medici Scholar, and is currently serving as the UTEP College of Liberal Arts Dean’s Faculty Fellow. Her research focuses on music, migration, and trauma, and her recent publications include articles in The Double Reed, Cahiers d’ethnomusicologie, and Yearbook for Traditional Music.
Dr. Kristina Jacobsen, Assistant Professor of Ethnomusicology, releases book
The Sound of Navajo Country: Music, Language and Diné Belonging (University of North Carolina Press), examines cultural intimacy and generational nostalgia on the Navajo (Diné) Nation (click here for brief interviews in English and Italian about her research).
Spain the ‘Eternal Maja’: Goya, Majismo, and the Reinvention of Spanish National Identity in Granados’s Goyescas.
This talk will explore the influence of artist Francisco Goya (1746-1828) on one of the greatest masterpieces of Spanish music, the Goyescas suite for solo piano by Enrique Granados (1867-1916).
‘Sol y Sombra’: Music in Images in the Arts of New Spain presented by Ray Hernández-Durán
Scenes depicting musicians performing are found in a range of colonial art forms. Here, I briefly explore religious music from the 16th century through an examination of mission design and manuscript illuminations, and secular or profane music from the 18th century represented in genre paintings, domestic spaces, and biombos.