Musicology Colloquium Series
Sponsored by The University of New Mexico Department of Music & The Latin American and Iberian Institute
Latin American and Iberian Institute (LAII) Conference Room
Thursday September 12, 2019
2:00-3:30pm
Sones de allá para acá: Son Jarocho from Mexico to USA
Name of presenter: Doris Careaga Coleman
Talk Description:
Son Jarocho is a genre of traditional Mexican music performed in southern Veracruz that has gained prominence in Chicanx communities in the United States. In this talk we will analyze the origins, rhythms, musical forms, and dances both in Mexico and the United States.
Biography:
Dr. Doris Careaga Coleman teaches in the Department of Chicana Chicano Studies. In her academic courses she illuminates Afromexican literature, history, and culture. Her areas of research include son jarocho, culinary arts, and literature and theory related to Afromexican cultural studies. Dr. Careaga Coleman is the author of La Cocina Afromestiza en Veracruz (1995 (republished in 2004 and 2006)), La Cuenca del Papaloapan (1996), El Exótico Sabor de Veracruz (2000), and La Cocina Tradicional de Jalcomulco (2000 (republished in 2017)). Her most recent book is La culinaria afrodescendiente en Tamiahua: un discurso para iluminar a los afrodescendientes mexicanos (2018).
Dr. José Luis Hurtado awarded prestigious Guggenheim Fellowship
Composer and pianist José Luis Hurtado, an associate professor in The University of New Mexico’s Department of Music in the College of Fine Arts, is one of the 2020 winners of the prestigious Guggenheim Fellowship.
You Can’t Tell It Like I Can: Black Women, Music, and the Struggle for Social Justice in America
This lecture/performance explores how black women have used music as a method of shaping the public rhetoric and sentiment surrounding the black civil rights struggle in America. Through a historical framework that moves through the height of the abolitionist movement, the Popular front during the 1930s and 1940s, the frontlines of the direct action campaigns of the 1960s, and the proliferation of the Black Power movement in the 1970s.
An Americanish Songbook: Linda Ronstadt’s “other” Country
This talk will consider performances and recordings by singer Linda Ronstadt to propose what I refer to as her Americanish musical songbook. The suffix “ish” here intends to accentuate the “somewhat” or “to some extent” of “American” that Ronstadt—Tucson born and raised—lived and sonically imagined through her extraordinary musical career.