Heterophony: Texture, Technique, and Social Commentary
March 7, 2019
2:00 – 3:30 p.m.
Keller Hall, Center for the Arts
Talk Description: This lecture is in two parts: the first draws from my research on the 1960s jazz avant-garde and musicians’ interests in heterophonic musical textures. I show how heterophony, technique and texture, satisfied a joint aesthetic and social/political goal for musicians and audiences. The parallels between textural and ethnic/racial difference in improvisatory experimentalism, are where aesthetics and social relations become intertwined.
For the second part, I perform original music that utilizes heterophony and “noise” in a solo electronic and improvised format. This performance segment is my own creative response to the historical precedents that I outline in the previous segment.
Biography: Kwami Coleman, Ph.D., is an assistant professor of musicology at the Gallatin School on individualized Study at New York University. His work is focused on improvised music, aesthetics, historiography, identity, and political economy. Kwami is also a pianist and composer, and released a recording called Local Music in 2017 of original music for trio plus field recordings captured in his home neighborhood, Harlem. His current book project is titled Change: The “New Thing” and Modern Jazz.
Percussion Guest Artist Series presents Dr. Kenneth Broadway and Christopher Wilson
Dr. Kenneth Broadway has a passion for training the next generation of teachers, performers, and leaders in the field of music. .Christopher Wilson is a Doctoral candidate in Percussion Performance at the University of Northern Colorado.
Percussion Guest Artist Series presents Dr. Michael Vercelli
Dr. Michael B. Vercelli is the director of the World Music Performance Center at West Virginia University. Michael holds a Doctor of Musical Arts degree in Percussion Performance with a minor in Ethnomusicology from the University of Arizona.
Musicology Colloquium Series presents Dr. Peter J. García
This presentation examines New Mexico folk music collected by John Donald Robb and studied by Mexican musicologist Vicente T. Mendoza. These collections include folk melodies from the maternal side of García’s family.