Musicology Colloquium Series
Talk Title:
THE CRUELTY OF JAZZ: TOWARD A HEMISPHERIC POLITICS OF SOUND
Date and Time:
Thursday February 7, 2:00-3:30pm
Location:
Latin American and Iberian Institute (LAII) Conference Room
Talk Description:
Rooted in concepts of affect and Empire, this paper argues that jazz operated in various 20th century Latin American settings as a vital touchstone bearing the risks and benefits of urban modernization, hemispheric geopolitics, and transnational cultural production, “cruelly” echoing the United States’ cultural, political, and economic dominance in the hemisphere and beyond.
Biography:
Jason Borge is an Associate Professor of Latin American Culture at the University of Texas at Austin, where he teaches courses on Latin American and Hemispheric popular culture, music, film, and literature. He has published widely on such topics as vernacular music and sound studies, Hollywood in Latin America, popular vanguardism, and the intra-hemispheric dimensions of literature and film. His latest book is Tropical Riffs: Latin America and the Politics of Jazz (Duke University Press, 2018).
Caption for book cover: Tropical Riffs: Latin America and the Politics of Jazz (Duke, 2018)
Sponsored by The University of New Mexico Department of Music, The Department of Spanish & Portuguese, and The Latin American and Iberian Institute
Free Drumset Clinic hosted by John Riley
John has a Bachelor of Music degree in jazz education from the University of North Texas and a Master of Music in jazz studies from Manhattan School of Music. He is on the faculty of Manhattan School of Music, and SUNY Purchase, and is an Artist in Residence at Amsterdam Conservatory, Holland.
Musicology Colloquium Series: The Black Pacific: Music, Race, and Indigeneity in Australia and Papua New Guinea
From the Fisk Jubilee Singers’ tour of Australasia in the 1890s to Snoop Dogg’s visit to Brisbane in 2014, the last century has seen ongoing, intensive intersections between Indigenous and African Diasporic musicians and activists in the Southwestern Pacific.
Amjad Ali Khan, Sarod Virtuso and Composer Joins the UNM Faculty
Amjad Ali Khan is one of the undisputed masters of the music world. For many, he takes on a celestial avatar when he is playing the Sarod. Born to Sarod icon Haafiz Ali Khan, he gave his first performance at the age of six. Over the course of his career, he has delivered his music in a flexible instrument line that is vocal in its expressiveness.