The American Prize in Vocal Performance—Friedrich and Virginia Schorr Memorial Award honors the memory of the greatest Wagnerian baritone of his age, Friedrich Schorr, who commanded the operatic stage between the world wars, and his wife, Virginia Schorr, who taught studio voice at the Manhattan School of Music and the Hartt School of Music for nearly fifty years. The Prize recognizes and rewards the best performances by classically trained vocalists in America, based on submitted recordings.
The American Prize in Vocal Performance—women in opera (professional division), 2022, The Friedrich and Virginia Schorr Memorial Awards
The American Prize Winner: Olga Perez Flora, University of New Mexico, Albuquerque, NM
Opera roles include performances with Opera Company Middlebury/A Streetcar Named Desire (Eunice), Opera Columbus/Madama Butterfly (Suzuki), Arizona Opera/Die Zauberflöte (Third Lady), Opera in the Heights/Don Giovanni (Zerlina), and more.
Internationally known as a recitalist, Dr. Flora has performed several recitals with companies across the United States, Cuba, and Italy. She has most recently created a Cuban Song Recital named Canciones de mi Isla: Songs from my Island.
Sones de allá para acá: Son Jarocho from Mexico to USA
Son Jarocho is a genre of traditional Mexican music performed in southern Veracruz that has gained prominence in Chicanx communities in the United States. In this talk we will analyze the origins, rhythms, musical forms, and dances both in Mexico and the United States.
UNM Music Students and Community Members to Perform on KUNM 89.9 on 5/11 @7 pm
The UNM Honky Tonk Ensemble, an ensemble that teaches students how to play in a band and that emphasizes the style of classic country music from the ’50s, ’60s and ’70s, to come into KUNM’s Studio A to do a studio session of songs they’ve performed over the course of the semester
Embodying Fandom: Chanting in Twentieth-Century Argentine Soccer
Argentine soccer fandom involves a nuanced set of bodily practices and a vast repertoire of chants based on radio hits and broadcast advertisement. This talk demonstrates how chanting brings together sounds and bodies in an affective public practice that incites intense feelings of social cohesion and belonging meaningful beyond what is being said with words.