Walter A. Clark
Date:
Thursday March 23, 2017
Time and Location:
2:00-3:30pm, Waters Room, Zimmerman Library
Title:
Spain the ‘Eternal Maja’: Goya, Majismo, and the Reinvention of Spanish National Identity in Granados’s Goyescas.
Description:
This talk will explore the influence of artist Francisco Goya (1746-1828) on one of the greatest masterpieces of Spanish music, the Goyescas suite for solo piano by Enrique Granados (1867-1916). Goya and Granados helped redefine the Spanish nation during a period of imperial decline and culture florescence ca. 1900.
Biography:
Walter Aaron Clark is a professor of musicology and director of the Center for Iberian and Latin American Music at the University of California, Riverside. He is the author of groundbreaking Oxford biographies of Isaac Albéniz, Enrique Granados, and Federico Moreno Torroba, and he is currently conducting research on a biography of Joaquín Rodrigo. In recognition of his contributions to the study and promotion of Spanish music and culture, King Felipe VI of Spain conferred on him the title of Comendador de la Orden de Isabel la Católica (Commander of the Order of Isabella the Catholic), a Spanish knighthood.
Sponsors:
The University of New Mexico Department of Music, the Latin American and Iberian Institute, and the Center for Southwest Research.
Dr. José Luis Hurtado awarded prestigious Guggenheim Fellowship
Composer and pianist José Luis Hurtado, an associate professor in The University of New Mexico’s Department of Music in the College of Fine Arts, is one of the 2020 winners of the prestigious Guggenheim Fellowship.
You Can’t Tell It Like I Can: Black Women, Music, and the Struggle for Social Justice in America
This lecture/performance explores how black women have used music as a method of shaping the public rhetoric and sentiment surrounding the black civil rights struggle in America. Through a historical framework that moves through the height of the abolitionist movement, the Popular front during the 1930s and 1940s, the frontlines of the direct action campaigns of the 1960s, and the proliferation of the Black Power movement in the 1970s.
An Americanish Songbook: Linda Ronstadt’s “other” Country
This talk will consider performances and recordings by singer Linda Ronstadt to propose what I refer to as her Americanish musical songbook. The suffix “ish” here intends to accentuate the “somewhat” or “to some extent” of “American” that Ronstadt—Tucson born and raised—lived and sonically imagined through her extraordinary musical career.