Dr. Peter J. García
Date:
Thursday October 20, 2016
Time and Location:
2:00-3:30pm, Waters Room, Zimmerman Library
Lecture Title:
Decolonial Meditations and New Mexico Musical Homecomings: Reconciliation of Musical Heritages while Growing Up Indio-Hispano in the Greater Post-Chicano Duke City
Description:
This presentation examines New Mexico folk music collected by John Donald Robb and studied by Mexican musicologist Vicente T. Mendoza. These collections include folk melodies from the maternal side of García’s family. Regarded as extended and ancestral family heirlooms, these organic folk songs illustrate how New Mexico Hispano traditional music continues to mediate cultural differences and at times even reconciling historical conflicts. García presents his mestizo (mixed Hispanic) and Pueblo, Navajo (Diné), and Tlaxcalan heritages through music recordings made by his family members.
Dr. Peter J. García is Professor at California State University Northridge where he teaches in Music, Anthropology and Chicana/o Studies. He offers undergraduate courses in Understanding World Cultures Through Music, Mexican Regional Music and Dance, Introduction to Folklore and graduate seminars in U.S. Latina/o Borderlands Performance and Cultural Studies and Anthropology of Music. His Ph.D. in Ethnomusicology is from the University of Texas at Austin. He has published in various journals and anthologies and his original monograph Decolonizing Enchantment: Echoes of New Mexico Popular Music is in press with the University of New Mexico Press “Pasó Por Aqui” Nuevomexicano Hispanic Literary Series. He also is musical director of the CSUN Latin/o Music Performance Ensemble.
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Sas Bator Colonnas is a multipart singing group from the Scano di Montiferro, a mountainous region in central Sardinia, Italy. Antioco Milia, Antonio Carboni, Stefano Desogos and Francesco Fodde started singing together in 2002, carrying on the vernacularmultipart singing practice, one of the most representative cultural forms of their village and their island, which is performed by four male singers and called cuncordu.
Different Rivers: Sardinian Hill Country and the DIY Ethos of River of Gennargentu
In the summer of 2014, the Bluesman “River of Gennargentu” released, on his SoundCloud page, three songs of hill country blues, sung in English and played with a technique like those of historical Delta blues artists, recorded in low-quality sound. Within a few months, the web page collected dozens of comments from users who were amazed by this new “discovery” and demanded the real artist’s origin, as-yet-not-specified.
Decolonizing Strategies in Ethnomusicology, Teaching, and Performance
Perspectives from the US Southwest and Latin America featuring performances by J.D. Robb Trust. This symposium consists of an initial roundtable centered on decolonizing strategies in ethnomusicology followed by two shorter sessions: the first focusing on decolonizing pedagogies and the second on performance and activism.