Mexican pianist Mauricio Náder, one of the most active and iconic figures on the Latin American music scene today, presents virtuoso pieces by U.S. and Mexican composers, showcasing a vast spectrum of styles, techniques and emotions. He performs regularly at major venues in the United States, Latin America, Europe and Asia, and has given private recitals for former presidents of Mexico, France and Spain. His repertoire, ranging from Baroque to 21st century, includes many pieces written especially for him. He has recorded over 30 CDs as a soloist, member of a chamber music ensemble and vocal accompanist. For more info please visit his website www.mauricionader.net
These concerts are being supported by the UNM Department of Music, UNM Dean’s circle fund, UNM Latin American and Iberian Institute, National Hispanic Cultural Center, Mexican Consulate in Albuquerque, Mexican Education Foundation of New Mexico, and the National Institute of Fine Arts of Mexico.
Lecture-Recital
NOVEMBER 13, 11 am
Keller Hall UNM CFA
NOVEMBER 14, 7:30 PM
Albuquerque Journal Theatre
National Hispanic Cultural Center
PROGRAM
Ricardo Castro (Mexico) / Vals Capricho Op.1
Leonardo Velázquez (Mexico) / Micropiezas
Carlos Chávez (Mexico) / Noche aguafuerte
José Luis Hurtado (Mexico) / Explosive landscape
Gustavo Morales (Mexico) / Rapsodia Mexicana No.1
Henry Cowel (US) / Aeolian harp
George Gershwin (US) / Three preludes
George Antheil (US) / Toccata No.2, Can Can
Morton Gould (US) / Boogie the Woogie, Boogie Woogie Etude
Different Rivers: Sardinian Hill Country and the DIY Ethos of River of Gennargentu
In the summer of 2014, the Bluesman “River of Gennargentu” released, on his SoundCloud page, three songs of hill country blues, sung in English and played with a technique like those of historical Delta blues artists, recorded in low-quality sound. Within a few months, the web page collected dozens of comments from users who were amazed by this new “discovery” and demanded the real artist’s origin, as-yet-not-specified.
Decolonizing Strategies in Ethnomusicology, Teaching, and Performance
Perspectives from the US Southwest and Latin America featuring performances by J.D. Robb Trust. This symposium consists of an initial roundtable centered on decolonizing strategies in ethnomusicology followed by two shorter sessions: the first focusing on decolonizing pedagogies and the second on performance and activism.
2018-19 New Mexico Winds and Brass All State Etudes
Featuring the UNM Winds and Brass faculty