Mexican pianist Mauricio Náder, one of the most active and iconic figures on the Latin American music scene today, presents virtuoso pieces by U.S. and Mexican composers, showcasing a vast spectrum of styles, techniques and emotions. He performs regularly at major venues in the United States, Latin America, Europe and Asia, and has given private recitals for former presidents of Mexico, France and Spain. His repertoire, ranging from Baroque to 21st century, includes many pieces written especially for him. He has recorded over 30 CDs as a soloist, member of a chamber music ensemble and vocal accompanist. For more info please visit his website www.mauricionader.net
These concerts are being supported by the UNM Department of Music, UNM Dean’s circle fund, UNM Latin American and Iberian Institute, National Hispanic Cultural Center, Mexican Consulate in Albuquerque, Mexican Education Foundation of New Mexico, and the National Institute of Fine Arts of Mexico.
Lecture-Recital
NOVEMBER 13, 11 am
Keller Hall UNM CFA
NOVEMBER 14, 7:30 PM
Albuquerque Journal Theatre
National Hispanic Cultural Center
PROGRAM
Ricardo Castro (Mexico) / Vals Capricho Op.1
Leonardo Velázquez (Mexico) / Micropiezas
Carlos Chávez (Mexico) / Noche aguafuerte
José Luis Hurtado (Mexico) / Explosive landscape
Gustavo Morales (Mexico) / Rapsodia Mexicana No.1
Henry Cowel (US) / Aeolian harp
George Gershwin (US) / Three preludes
George Antheil (US) / Toccata No.2, Can Can
Morton Gould (US) / Boogie the Woogie, Boogie Woogie Etude
Dr. Kristina Jacobsen awarded The Fulbright Con Il Sud Award for Teaching and Research
Dr. Jacobsen, was recently awarded the Fulbright Con Il Sud Award for Teaching and Research to support her upcoming research during her sabbatical year on the Italian island of Sardinia [Sardigna].
Heterophony: Texture, Technique, and Social Commentary
This lecture is in two parts: the first draws from my research on the 1960s jazz avant-garde and musicians’ interests in heterophonic musical textures. For the second part, I perform original music that utilizes heterophony and “noise” in a solo electronic and improvised format.
The Gay West: From Drug Store Cowboys to Rodeo Queens
The masculine ideal represented by the American cowboy is variously interpreted by spectators, dancers, musicians, and contestants at gay rodeos and country western dances across the U.S. Examining embodied gender practices within these communities, this talk articulates the sonic, social, and geographical spaces of the gay American West.