Music, Emotion and Fish with Dr. David Bashwiner Part 2

We are back, with Part 2 of ‘Music, Emotion, and Fish’. If you haven’t had the chance to listen to Part 1, you can click back to Episode 15, Dr. David Bashwiner was just getting to his work on the Midshipman toadfish, and what it can teach us about musical desire in humans. In Part 1, Dr. Bashwiner described the ongoing debate in music theory as to whether music has some sort of evolutionary significance by impacting our ability to pass on our genes, and why focusing too much on this question is distracting. We then talked about what made him want to study the midshipman fish and ended on the drive behind his research – wanting to understand the response of the listener to sound and their appreciation of music.

David Bashwiner

The Cruelty of Jazz: Toward a Hemispheric Politics of Sound

The Cruelty of Jazz: Toward a Hemispheric Politics of Sound

Rooted in concepts of affect and Empire, this paper argues that jazz operated in various 20th century Latin American settings as a vital touchstone bearing the risks and benefits of urban modernization, hemispheric geopolitics, and transnational cultural production, “cruelly” echoing the United States’ cultural, political, and economic dominance in the hemisphere and beyond. 

Music from the Americas presents Versus 8

Music from the Americas presents Versus 8

Percussion music in the Americas is one of the most exotic, visually attractive, and antique forms of expression since pre-hispanic times. Preserving, promoting and creating music for the percussion family of instruments is at the core of Versus 8’s mission through international collaboration with composers, performers, students, and cultural centers that contribute with their resources to the cycle of music, namely: creation, performance, and listening..

A Day in the Life of the Bosavi People

A Day in the Life of the Bosavi People

A 90 minute, 4K, 7.1 surround sound eco-rockumentary concert of a day in the life of the Bosavi people and their rainforest home in Papua New Guinea, directed and produced by Steven Feld and based on recordings and images from 1976-2018.

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