KUNM – Ear To The Ground is broadcast on Saturdays 7:00 PM – 8:00 PM. Hosted by Matthew Finch. Is a local music showcase, featuring live performances by local talent. The UNM Honky Tonk Ensemble was featured in December. Listen here.

Class co-facilitators: Dr. Kristina Jacobsen and Alex McMahon

UNM Honky Tonk Fall 2021 class: Sue Cahn von Seelen, Jackie Jones, Eva Stricker, Grace Weaver

Recorded by KUNM

Interviewed, Engineered, and Recorded by KUNM Music Director Matthew Finch for the 12/11/21 episode of “Ear to the Ground.”“Your Cheating Heart” by Patsy ClineVocals & Guitar – Alex McMahonGuitar – Jackie JonesGuitar – Sasha ArteagaFiddle – Eva StrickerFiddle – Sue Cahn von SeelenBackup vocal & Piano – Grace Weaver“Hello Darlin'” by Conway TwittyVocals – Eva StrickerGuitar – Alex McMahonGuitar – Sasha ArteagaFiddle – Sue Cahn von SeelenBack up vocal & Piano – Grace Weaver“Two Glasses Joe” by Ernest TubbGuitar and Vocals – Alex McMahonGuitar and Vocals – Sasha AtreagaGuitar and Vocals – Jackie JonesFiddle and Vocals – Eva StrickerFIddle and Vocals – Sue Cahn von SeelenPiano and Vocals – Grace Weaver“She’s all I got” by Johnny PaycheckVocals – Sue Cahn von SeelenGuitar and Backup vocals – Alex McMahonGuitar and Backup vocals – Sasha ArteagaGuitar and Backup vocals – Jackie JonesFiddle and Backup vocals – Eva StrickerPiano and Backup vocals – Grace Weaver

 

“Second Fiddle (To an Old Guitar)” by Jean ShepherdGuitar and Vocals – Sasha ArteagaGuitar – Alex McMahonGuitar – Jackie JonesFiddle – Eva StrickerFiddle – Sue Cahn von SeelenPiano – Grace Weaver“Dead of Night” by Orville PeckVocals and Guitar – Jackie JonesGuitar and Backup vocals – Alex McMahonGuitar and Backup vocals – Sasha ArteagaFiddle and Backup vocals – Eva StrickerFiddle and Backup vocals – Sue Cahn von SeelenPiano and Backup vocals – Grace Weaver

 

“The Way it Goes” By Gillian WelchVocals and Guitar – Alex McMahonVocals and Guitar – Jackie JonesGuitar – Sasha ArteagaFiddle – Eva StrickerFiddle – Sue Cahn von SeelenPiano – Grace Weaver

The Cruelty of Jazz: Toward a Hemispheric Politics of Sound

The Cruelty of Jazz: Toward a Hemispheric Politics of Sound

Rooted in concepts of affect and Empire, this paper argues that jazz operated in various 20th century Latin American settings as a vital touchstone bearing the risks and benefits of urban modernization, hemispheric geopolitics, and transnational cultural production, “cruelly” echoing the United States’ cultural, political, and economic dominance in the hemisphere and beyond. 

Music from the Americas presents Versus 8

Music from the Americas presents Versus 8

Percussion music in the Americas is one of the most exotic, visually attractive, and antique forms of expression since pre-hispanic times. Preserving, promoting and creating music for the percussion family of instruments is at the core of Versus 8’s mission through international collaboration with composers, performers, students, and cultural centers that contribute with their resources to the cycle of music, namely: creation, performance, and listening..

A Day in the Life of the Bosavi People

A Day in the Life of the Bosavi People

A 90 minute, 4K, 7.1 surround sound eco-rockumentary concert of a day in the life of the Bosavi people and their rainforest home in Papua New Guinea, directed and produced by Steven Feld and based on recordings and images from 1976-2018.

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