Lecture by UNM Emeritus Distinguished Professor, Steve Feld: “HEARING HEAT: AN ANTHROPOCENE ACOUSTEMOLOGY”
Thursday February 22, 2018
2:00-3:30pm
Location: Waters Room, Zimmerman.
Bruno Latour argues that even if poisoned, the anthropocene is a deep gift to human research, inciting new approaches to environmental responsibility. Taking up Latour’s challenge through acoustemology, the study of sound as a way of knowing, this talk engages histories of hearing heat that affectively entangle cicadas and humans in Papua New Guinea, Japan, and Greece.
Steven Feld is an anthropologist, musician/sound artist, and filmmaker. His acoustemology research projects include rainforest sound ecology in Papua New Guinea, the history of bells in Europe, and jazz cosmopolitanism in West Africa. He taught in multiple fields for 35 years, the last 10 of them at UNM. Presently he is Senior Scholar at the School for Advanced Research in Santa Fe, working on Voices of the Rainforest, a documentary feature film building on a 7.1 surround virtual rainforest that he composed this year at Skywalker Sound.
Dr. José Luis Hurtado awarded prestigious Guggenheim Fellowship
Composer and pianist José Luis Hurtado, an associate professor in The University of New Mexico’s Department of Music in the College of Fine Arts, is one of the 2020 winners of the prestigious Guggenheim Fellowship.
You Can’t Tell It Like I Can: Black Women, Music, and the Struggle for Social Justice in America
This lecture/performance explores how black women have used music as a method of shaping the public rhetoric and sentiment surrounding the black civil rights struggle in America. Through a historical framework that moves through the height of the abolitionist movement, the Popular front during the 1930s and 1940s, the frontlines of the direct action campaigns of the 1960s, and the proliferation of the Black Power movement in the 1970s.
An Americanish Songbook: Linda Ronstadt’s “other” Country
This talk will consider performances and recordings by singer Linda Ronstadt to propose what I refer to as her Americanish musical songbook. The suffix “ish” here intends to accentuate the “somewhat” or “to some extent” of “American” that Ronstadt—Tucson born and raised—lived and sonically imagined through her extraordinary musical career.