Percussion Recital: Sounds of the Earth
Sunday, October 26, 2015 • 6:30-8:00 PM • Center for the Arts Room 1111
Dr. John Pennington, Professor of Music and Percussion Studies at Augustana University will be performing pieces of his own as well as works by Paul Creston, Isaac Albeniz, J. S. Bach, and Keith Jarrett on instruments that are more traditionally associated with ensemble performance and not solo performance, such as the riq, caxixi, bodhran, gaval, and ganza.
John Pennington is an educator, composer, performer, author,producer and conductor. Dr. Pennington is currently a Professor of Music at Augustana College and is the Artistic Director of the Animas Music Festival in Durango, Colorado. He holds degrees from the University of Michigan, Arizona, and Arizona State. As an Orchestral player Dr. Pennington is currently the Associate Principal Timpanist and Percussionist with the South Dakota Symphony and Principal Timpanist with the Music in the Mountains Music Summer Festival Orchestra. Dr. Pennington is currently a Cultural Envoy for the State Department in the Middle East (Lebanon) where he presented concerts, clinics and master classes. With performances on four continents and over twenty-five states he has performed on Prairie Home Companion and been a featured performer at six Percussive Arts Society International Conventions.
Active as a composer and arranger he has over thirty compositions for soloist, duo, chamber and films and dozens of arrangements for numerous instrumental and vocal combinations. With over thirty recordings to date he has recorded for the Ensemble 21, Summit, Cristo, OCP, and Equilibrium labels. Extensive studies in world music have included experience in African, Middle Eastern, Indonesian, Cuban and the South Indian Karnatak tradition. Recently, Dr. Pennington continues to study the Northern Hindustani traditions of music in Haridwar and Delhi, India and the Javanese and Balinese traditions of Indonesia. Please visit JohnPennington.com for more information.
The Gay West: From Drug Store Cowboys to Rodeo Queens
The masculine ideal represented by the American cowboy is variously interpreted by spectators, dancers, musicians, and contestants at gay rodeos and country western dances across the U.S. Examining embodied gender practices within these communities, this talk articulates the sonic, social, and geographical spaces of the gay American West.
The Cruelty of Jazz: Toward a Hemispheric Politics of Sound
Rooted in concepts of affect and Empire, this paper argues that jazz operated in various 20th century Latin American settings as a vital touchstone bearing the risks and benefits of urban modernization, hemispheric geopolitics, and transnational cultural production, “cruelly” echoing the United States’ cultural, political, and economic dominance in the hemisphere and beyond.
Music from the Americas presents Versus 8
Percussion music in the Americas is one of the most exotic, visually attractive, and antique forms of expression since pre-hispanic times. Preserving, promoting and creating music for the percussion family of instruments is at the core of Versus 8’s mission through international collaboration with composers, performers, students, and cultural centers that contribute with their resources to the cycle of music, namely: creation, performance, and listening..