Based on 2 ½ years of singing and playing with Navajo county western bands, her book, The Sound of Navajo Country: Music, Language and Diné Belonging (forthcoming March 13th, 2017, University of North Carolina Press), examines cultural intimacy and generational nostalgia on the Navajo (Diné) Nation (click here for brief interviews in English and Italian about her research). This book is the first in a series, Critical Indigeneities, edited by J. Kēhaulani Kauanui and Jean M. O’Brien and focusing on contemporary indigenous experience and critical theory. Her research interests include: music and language, anthropology of the voice, politics of authenticity, indigeneity and belonging, music of Native North America, Sardinia and the Appalachian mountains, race and musical genre, music as cultural performance, indigenous language revitalization and U.S. working class expressive cultures. Together with Kerry F. Thompson (Diné), she has a forthcoming article on the recent Navajo Nation presidential election and language fluency debate, titled “The Right to Lead: Language, Iconicity Diné Presidential Politics. Recent articles include “Radmilla’s Voice: Music Genre, Blood Quantum and Belonging on the Navajo Nation” (Cultural Anthropology, 2014) and “Rita(hhh): Placemaking and Country Music on the Navajo Nation” (Ethnomusicology, 2009).
Kristina Jacobsen holds a PhD in Cultural Anthropology from Duke University, the MPhil in Ethnomusicology from Columbia University, a Master’s in Ethnomusicology from Arizona State University, and a Bachelor’s degree in Music (flute performance) and History (concentration: Native North America).
The Music from the Americas presents: “UNACCOMPANIED, Personal Stories of Immigration and American Identity
The Music from the Americas presents: “UNACCOMPANIED, Personal Stories of Immigration and American Identity The Music from the Americas presents “UNACCOMPANIED: Eight New Works for Solo Cello Exploring Personal Stories of Immigration and American Identity.” This...
Welcome new Assistant Professor of Cello, Christoph Wagner who makes the strings sing
Welcome new Assistant Professor of Cello, Christoph Wagner who makes the strings sing Originally published in the Daily Lobo on August 20, 2023, by Addison Key, Culture Editor at the Daily Lobo ____ Christoph Wagner always wanted to play the cello. Wagner is...
New scholarship for jazz students
New scholarship for jazz students Richard Karmel Endowed Scholarship in Jazz Studies honors Canadian professor The Department of Music within the College of Fine Arts at The University of New Mexico is now offering the first scholarship specific to jazz studies. The...