Based on 2 ½ years of singing and playing with Navajo county western bands, her book, The Sound of Navajo Country: Music, Language and Diné Belonging (forthcoming March 13th, 2017, University of North Carolina Press), examines cultural intimacy and generational nostalgia on the Navajo (Diné) Nation (click here for brief interviews in English and Italian about her research). This book is the first in a series, Critical Indigeneities, edited by J. Kēhaulani Kauanui and Jean M. O’Brien and focusing on contemporary indigenous experience and critical theory. Her research interests include: music and language, anthropology of the voice, politics of authenticity, indigeneity and belonging, music of Native North America, Sardinia and the Appalachian mountains, race and musical genre, music as cultural performance, indigenous language revitalization and U.S. working class expressive cultures. Together with Kerry F. Thompson (Diné), she has a forthcoming article on the recent Navajo Nation presidential election and language fluency debate, titled “The Right to Lead: Language, Iconicity Diné Presidential Politics. Recent articles include “Radmilla’s Voice: Music Genre, Blood Quantum and Belonging on the Navajo Nation” (Cultural Anthropology, 2014) and “Rita(hhh): Placemaking and Country Music on the Navajo Nation” (Ethnomusicology, 2009).
Kristina Jacobsen holds a PhD in Cultural Anthropology from Duke University, the MPhil in Ethnomusicology from Columbia University, a Master’s in Ethnomusicology from Arizona State University, and a Bachelor’s degree in Music (flute performance) and History (concentration: Native North America).
Musicology Colloquium Series: Hell You Talmbout: Hip hop Activism and How Black Lives Matter in Post-Racial America
In this talk Dr. Finnie D. Coleman discusses a closing chapter from his book manuscript Visible Rhythms. Music from Janelle Monae, Kendrick Lamar, and Brother Ali set the stage for a discussion of Hip Hop Activism, the Black Lives Matter Movement…
Music from the Americas Concert Series: The American-Mexican Connection featuring Mexican pianist Mauricio Náder
Mexican pianist Mauricio Náder, one of the most active and iconic figures on the Latin American music scene today, presents virtuoso pieces by U.S. and Mexican composers, showcasing a vast spectrum of styles, techniques and emotions.
Cellist Hannah Addario-Berry visits UNM Music Department for Master class and Workshop
Cellist Hannah Addario-Berry will be on campus on Friday (Oct 30) and Monday (Nov 2) to workshop two brand-new pieces written for her by UNM student composers and to give a masterclass for the cello students.