DIFFERENT RIVERS:
Sardinian Hill Country and the DIY Ethos of River of Gennargentu
Presented by Diego Pani
Tuesday, November 13th 2018
2:00 – 3:30 p.m.
Fine Arts and Design Library – Main Foyer
In the summer of 2014, the Bluesman “River of Gennargentu” released, on his SoundCloud page, three songs of hill country blues, sung in English and played with a technique like those of historical Delta blues artists, recorded in low-quality sound. Within a few months, the web page collected dozens of comments from users who were amazed by this new “discovery” and demanded the real artist’s origin, as-yet-not-specified. For many listeners, these songs seemed played by an American bluesman: the Gennargentu, however, is not in the United States, but is in fact a mountain range in central Sardinia (Italy). “River of Gennargentu” is from a little Sardinian village named Gavoi, and produces his music drawing inspiration from the US blues musicians of the early 1900s, declaring his love for the DIY philosophy, building his own instruments and using low-fi home-recording techniques. This talk shows how rural blues is redefined by musicians in relation to Sardinian territory, thanks to a complex alternation of retro-mania (the idealized American past) and the idealistic claim which see in the DIY a way to revive the “raw” spirit of the origins of the blues, adapting this one to the cultural space of Sardinia.
Diego Pani works as ethnomusicologist with the Sardinian instituto Superlore Regionale Etnograflco (ISRE). He is also a Ph.D. Student in Ethnomusicology at Memorial University of Newfoundland, Canada. His research focuses on the dynamic of music performance of young generations of musicians in reference of social meaning via audio and video materials in the vernacular traditions of Sardinia. He is also interested in the study of local DIY blues musical scenes, with particular reference with the Sardinian one. Additionally, he is engaged in the production of documentary films, web documentaries, and photo reportages. Besides his academic work, he sings in the rock ’n ’roll band King Howl and manages Talk About Records, a DIY record label specialized in blues, rock ‘n’ roll, and punk rock music.
This event is sponsored by the UNM Department of Music, Outpost Performance Space, Italian Festivals of New Mexico, Albuquerque Italian Language and Culture Group, Talk About Records (Sardegna), the College of Fine Arts, and the Society for Ethnomusicology.
UNM Ethnomusicology and Anthropology professor, Kristina Jacobsen, reflects on her recent trip to South Africa with the Diné-led jazz trio, DDAT
How a Song Bridged Diné and Ndebele Worlds An anthropologist recounts a magical moment of songwriting collaboration between Diné (Navajo) and Ndebele artists gathered for the WOMAD Festival in South Africa. By Kristina Jacobsen Originally published November 30, 2022,...
Visiting Scholar Dr. Javier Marín-López to present on Colonial and Baroque Music in the Americas
Visiting Scholar Dr. Javier Marín-López to present on Colonial and Baroque Music in the Americas Visiting Scholar Dr. Javier Marín-López, Professor of Musicology at the University of Jaén, Spain, will present two lectures at UNM this month. He is a scholar specialized...
UNM Music Students and Faculty to Perform in the Santa Fe Opera’s Premiere of This Little Light of Mine
UNM Music Students and Faculty to Perform in the Santa Fe Opera’s Premiere of This Little Light of Mine Four graduate vocal performance students in the UNM Music Department have been invited to perform with the Santa Fe Opera. Mia Flora, Marshal Hollingsworth, Garrett...