Assistant Professor of Trombone Chris Buckholz has released his third solo CD, Versatility, a double album of classical and jazz. It includes a recording of Richard Peaslee’s Arrows of Time with the University of New Mexico Wind Symphony, jazz originals and standards, classical works for tenor and alto trombone, a new edition of Frederick Innes’s 1880 composition The Sea-Shells Waltz, and classical improvisations. Buckholz’s previous recordings include an album of jazz originals, Muse, and the 2010 classical album À la Albéniz on Albany Records.
The Gay West: From Drug Store Cowboys to Rodeo Queens
The masculine ideal represented by the American cowboy is variously interpreted by spectators, dancers, musicians, and contestants at gay rodeos and country western dances across the U.S. Examining embodied gender practices within these communities, this talk articulates the sonic, social, and geographical spaces of the gay American West.
The Cruelty of Jazz: Toward a Hemispheric Politics of Sound
Rooted in concepts of affect and Empire, this paper argues that jazz operated in various 20th century Latin American settings as a vital touchstone bearing the risks and benefits of urban modernization, hemispheric geopolitics, and transnational cultural production, “cruelly” echoing the United States’ cultural, political, and economic dominance in the hemisphere and beyond.
Music from the Americas presents Versus 8
Percussion music in the Americas is one of the most exotic, visually attractive, and antique forms of expression since pre-hispanic times. Preserving, promoting and creating music for the percussion family of instruments is at the core of Versus 8’s mission through international collaboration with composers, performers, students, and cultural centers that contribute with their resources to the cycle of music, namely: creation, performance, and listening..