Date of event: Thursday November 14, 2019
Time and Location: 2:00-3:30pm, LAII Conference Room
Description: In New Spain, an institutional structure of merit and promotion hinged on the idea of reason as an intrinsically European attribute. This attribute differentiated ‘Europeans’ from people of mixed race claiming European status based on their skin complexion. Given the affective impulses permeating ideas about reason in New Spain, this paper considers reason in light of musico-phenomenological strategies that racialized subjects used to re-write their bodies. Such process problematizes the philosophical purview of the Enlightenment’s civilizing mission, and the historical narrative of its political project.
Biography: The work of Professor Jesús Ramos-Kittrell analyzes the relationship of cultural phenomena to the socio-political structures that organize and co-produce them. Such processes interrogate power asymmetries affecting issues of social, political, and cultural representation. His published work covers the early modern period in the Americas and more current cultural analyses of globalization. Previously, Dr. Ramos-Kittrell has served as joint faculty of musicology, ethnomusicology and Latin American Studies, at Tulane University and Southern Methodist University. He is currently assistant professor in residence of musicology at the University of Connecticut.
Sponsors: The University of New Mexico Department of Music and The Latin American and Iberian Institute
Musicology Colloquium Series: Hell You Talmbout: Hip hop Activism and How Black Lives Matter in Post-Racial America
In this talk Dr. Finnie D. Coleman discusses a closing chapter from his book manuscript Visible Rhythms. Music from Janelle Monae, Kendrick Lamar, and Brother Ali set the stage for a discussion of Hip Hop Activism, the Black Lives Matter Movement…
Music from the Americas Concert Series: The American-Mexican Connection featuring Mexican pianist Mauricio Náder
Mexican pianist Mauricio Náder, one of the most active and iconic figures on the Latin American music scene today, presents virtuoso pieces by U.S. and Mexican composers, showcasing a vast spectrum of styles, techniques and emotions.
Cellist Hannah Addario-Berry visits UNM Music Department for Master class and Workshop
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