MUSIC OF THE AMERICAS presents
SIGMA PROJECT SAX QUARTET
Music from the Americas presents Spanish Sigma Project Sax Quartet, one of the leading ensembles of the European Contemporary new music scene.

Formed by Andrés Gomis, Josetxo Silgero, Ángel Soria and Alberto Chaves, Sigma Project comes for the first time to Albuquerque to present an avant-garde program by composers of Mexico and Spain. Sigma Project’s highlights for next months include trips to Hannover, Wroclaw (Poland), France, Mexico, Chile, Rumania, Badajoz, Madrid, Valencia, and Sevilla.

Don’t miss this opportunity to enjoy modern music played by an unusual combination of four saxophones!

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Cuncordu Sas Bator Colonnas perform at Outpost

Cuncordu Sas Bator Colonnas perform at Outpost

Sas Bator Colonnas is a multipart singing group from the Scano di Montiferro, a mountainous region in central Sardinia, Italy. Antioco Milia, Antonio Carboni, Stefano Desogos and Francesco Fodde started singing together in 2002, carrying on the vernacularmultipart singing practice, one of the most representative cultural forms of their village and their island, which is performed by four male singers and called cuncordu.

Different Rivers: Sardinian Hill Country and the DIY Ethos of River of Gennargentu

Different Rivers: Sardinian Hill Country and the DIY Ethos of River of Gennargentu

In the summer of 2014, the Bluesman “River of Gennargentu” released, on his SoundCloud page, three songs of hill country blues, sung in English and played with a technique like those of historical Delta blues artists, recorded in low-quality sound. Within a few months, the web page collected dozens of comments from users who were amazed by this new “discovery” and demanded the real artist’s origin, as-yet-not-specified.

Decolonizing Strategies in Ethnomusicology, Teaching, and Performance

Decolonizing Strategies in Ethnomusicology, Teaching, and Performance

Perspectives from the US Southwest and Latin America featuring performances by J.D. Robb Trust. This symposium consists of an initial roundtable centered on decolonizing strategies in ethnomusicology followed by two shorter sessions: the first focusing on decolonizing pedagogies and the second on performance and activism.

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