News

Brazilian cellist Iracema de Andrade is strongly committed to the music of our time. Her repertory includes pieces for solo cello, cello and electronics, as well as multimedia and improvisation.

The Sound of Navajo Country: Music, Language and Diné Belonging (University of North Carolina Press), examines cultural intimacy and generational nostalgia on the Navajo (Diné) Nation (click here for brief interviews in English and Italian about her research).

This talk will explore the influence of artist Francisco Goya (1746-1828) on one of the greatest masterpieces of Spanish music, the Goyescas suite for solo piano by Enrique Granados (1867-1916).

Scenes depicting musicians performing are found in a range of colonial art forms. Here, I briefly explore religious music from the 16th century through an examination of mission design and manuscript illuminations, and secular or profane music from the 18th century represented in genre paintings, domestic spaces, and biombos.

Dr. Kenneth Broadway has a passion for training the next generation of teachers, performers, and leaders in the field of music. .Christopher Wilson is a Doctoral candidate in Percussion Performance at the University of Northern Colorado.

Dr. Michael B. Vercelli is the director of the World Music Performance Center at West Virginia University. Michael holds a Doctor of Musical Arts degree in Percussion Performance with a minor in Ethnomusicology from the University of Arizona.

This presentation examines New Mexico folk music collected by John Donald Robb and studied by Mexican musicologist Vicente T. Mendoza. These collections include folk melodies from the maternal side of García’s family.

Music from the Americas presents Spanish Sigma Project Sax Quartet, one of the leading ensembles of the European Contemporary new music scene.
Formed by Andrés Gomis, Josetxo Silgero, Ángel Soria and Alberto Chaves.

Antonio Rosales, bass clarinet / Juan José García, double bass / José Luis Hurtado, piano
May 4th, 3:00 pm, CFA Keller Hall

The 45th Annual John Donald Robb Composers’ Symposium will take place March 28 – April 1, 2016. Indigenizing Art Music: Experiencing the sound of Native American influences in new music