Date: Thursday November 17, 2016
Time and Location:
2:00-3:30pm, Waters Room, Zimmerman Library
‘Sol y Sombra’: Music in Images in the Arts of New Spain
Scenes depicting musicians performing are found in a range of colonial art forms. Here, I briefly explore religious music from the 16th century through an examination of mission design and manuscript illuminations, and secular or profane music from the 18th century represented in genre paintings, domestic spaces, and biombos.
Ray Hernández-Durán completed his Ph.D. in Art History at the University of Chicago. His courses cover Spanish Colonial Art and Architecture, Baroque Art, and African Art. He has articles in academic journals, including Nineteenth-Century Studies and Nineteenth-Century Art Worldwide; essays in edited volumes, such as, Buen Gusto and Classicism in the Visual Cultures of Latin America (1780–1910), Woman and Art in Early Modern Latin America, and Hacia otra historia del arte en México. His book, The Academy of San Carlos and Mexican Art History: Politics, History, and Art in Nineteenth-Century Mexico (Routledge) will be out in November 2016.
Dr. Kenneth Broadway has a passion for training the next generation of teachers, performers, and leaders in the field of music. .Christopher Wilson is a Doctoral candidate in Percussion Performance at the University of Northern Colorado.
Dr. Michael B. Vercelli is the director of the World Music Performance Center at West Virginia University. Michael holds a Doctor of Musical Arts degree in Percussion Performance with a minor in Ethnomusicology from the University of Arizona.
This presentation examines New Mexico folk music collected by John Donald Robb and studied by Mexican musicologist Vicente T. Mendoza. These collections include folk melodies from the maternal side of García’s family.